Postmodern Set of Six Murano Glass Wine Glasses by Vittorio Zecchin, Italy

Made in Italy, 1930s. They are in Murano glass and have particles of coal that are included in the glass due to their process of manufacturing: as a matter of fact in 1950s in Murano...

Made in Italy, 1990s. This set of six glasses is made in Murano glass, which internally are ribbed and externally are smooth. It is a vintage set, therefore it might show slight trac...

Made in Italy, 1980s. The drinking glasses are made in hand-blown Murano glass. They are vintage, therefore they might show slight traces of use, but they can be considered as in e...

Made in Germany, 1970s. This set of twenty-two glasses is made in fine crystal and features a golden rim. They are produced by Spiegelau, a German company with a centuries-old exper...

Made in Italy, 1950s. Made in Murano glass. It is a vintage set, therefore it might show slight traces of use, but it can be considered as in very good original condition and ready t...

Made in Italy, 1970s. The drinking glasses are made in horseshoe-shaped glass. It is a vintage set, therefore it might show slight traces of use, but it can be considered as in exc...

ntainer with lid in Murano glass designed by Vittorio Zecchin in 1930. The container is made entirely of amber blown Murano glass with red inserts on the lid and on the neck of the b...

Large Italian 1930s purple Murano glass vase attributed to Vittorio Zecchin.

"Soffiati" Vittorio Zecchin MVM, 1920-1930 Green blown glass Two slight sign (look the picture).

Blue blown Murano glass Perfect condition.

Set of 18 Murano glass goblets manufactured by Vittorio Zecchin for the Murano glasswork Pauly & co in the 1930s. The set is composed by 3 different glass dimensions ( cm 14h x 8,7; ...

Large centerpiece plate, design Vittorio Zecchin (1878-1947) in blown Murano glass. Origin Italy Period 40s Author Vittorio ZECCHIN (Murano, May 21, 1878 - Murano, April 15, 1947) was an Italian artist. Son of a Murano glassmaker, Luigi, he graduated from the Academy of Fine Arts in Venice. Impatient with the late nineteenth-century realist culture that he encounters here, he feels rather attracted by the stimuli offered by the Venetian Biennials that he attends by coming into contact with symbolist research and with the environment of the Viennese Secession. In 1914, together with the painter Teodoro Wolf Ferrari...