Michael Powolny Art Nouveau Cherub Clasping Tall Vase Model 319 Made circa 1913

Michael Powolny Art Nouveau centrepiece with three cherubs - most lovely ceramics item! Modelled by Michael Powolny (1871 - 1954), circa 1907. Hallmarked: Manufactured by Wiener Keramik (Vienna Ceramics) (WK / hallmarked). Material is ceramics (multicolored painted / glossy finish). Model 113 (model number is impressed / bottom glazed) Monogram of "Michael Powolny (MP)" is impressed, too. Made 1912. ________________________________________________________________________________ Subject: Most lovely three naked male cherub's figurines holding a round plate attached to their heads / the mentioned plate is blue painted at bottom side / the surface of tiered round socle is partially moss green shaded. ________________________________________________________________________________ Height: 21.0 cm (= 8.66 inches) Diameter of platter: 24.5 cm (= 9.64 inches) ________________________________________________________________________________ Bibliography: Waltraud Neuwirth, Markenlexikon für Kunstgewerbe (3), Wiener Keramik / Modelle 1906-13; pages 100-101 Elisabeth Frottier, "Michael Powolny, Keramik und Glas aus Wien 1900-1950", Vienna 1990, page 200, List of Work (= Werkverzeichnis) number W 113 (WV 61), Model 113 ________________________________________________________________________________ Experts of Fine Arts assess Michael Powolny's work nowadays as result of activity of one the most important ceramics sculptors / designers of Austrian Art Nouveau. Most of Powolny's successors were strongly under his sway since Powolny had left 'large steps' in Viennese Art of Ceramics. Excellent condition. ____________________________________________________________________________________ About Michael Powolny (Sculptor). As both a designer and a teacher, the Austrian ceramicist and glassware designer Michael Powolny was an important figure in the development of modernist aesthetics in Vienna at the turn of the 20th century. His romantic sculptural pottery figures embrace the lush, dynamic stylings of Gustav Klimt and other progressive artists, while his functional pieces — such as glass bowls and vases — employ the simple linear and geometric ornamentation that marked the work of Josef Hoffmann and other members of the Wiener Werkstätte Community of designers and craftsmen. Powolny received classical training in ceramics from his father, a potter, and at the Vienna School of Applied Arts, but later joined in the modernizing movement in the Austrian arts at the close of the 19th century. In 1897, Klimt, Hoffman, Koloman Moser and other artists and architects founded the Vienna Secession, a group that fought for freedom of expression against the city’s tradition-bound arts establishment. Powolny’s work reflects the changing times. He used classical figures in his ceramics — female nudes, cherubs — yet would dress them in modern ornament such as garlands of abstract, geometric flowers. Pieces from Powolny’s ceramics company were sold through the Wiener Werkstätte (Viennese Workshops) founded by Hoffmann and Moser, and Hoffman later hired Powolny to create ceramic ornamentation for his architectural masterpiece, the Palais Stoclet in Brussels. Powolny would go on to design glassware that combines elegant, tapering forms with precise linear decoration. His most influential work may have come as a professor at the School of Applied Arts, where he taught both Lucie Rie, the great Austrian-British modernist ceramicist, and the American potter Viktor Schreckengost, creator of the “Jazz Bowl...

Oval mirror framed by a dense coloured floral wreath formed of ceramic, on the upper rim two winged putti, between them a bird in the middle. By Michael Powolny (1871 - 1954) Nowada...

Till Eulenspiegel in a brown-red jester's costume with bells, sitting with outstretched legs on a rectangular flat base plate, an owl between his feet and a low, four-sided inkwell w...

Elegant candlestick for holding one candle Modelled by Michael Powolny (1871-1954), circa 1907 Hallmarked: Manufactured by Wiener Keramik and Gmundner Keramik (union Of Vienna Ceramics & Gmunden Ceramics - VWGK / Hallmarked) Material is Ceramics (glossy finish / multicolored painted). Model Number 142 Made circa 1913 Subject: The cream white candlestick is decorated with horizontal lines attached to surface. The Grommet is surrounded/encircled by A Wreath Of Flowers' blossoms. Height: 8.0 cm (= 3.14 inches) Diameter: 8.0 cm (= 3.14 inches) Bibliography: Waltraud Neuwirth, Markenlexikon fu¨r Kunstgewerbe (3), Wiener Keramik / Modelle 1906-13; page 122 Experts of Fine Arts assess Michael Powolny's work nowadays as result of activity of one the most important ceramics...

Delicate Art Nouveau ceramic piece: Cylindrical vessel with an openwork relief of running putti, in between colourfully glazed flower bouquets and golden cornucopias with blossoms, t...

Elegant vase  made of cream white ceramics / glazed and partially black painted very interesting stylized pattern Bibliography: Waltraud Neuwirth, Markenlexikon fuer Kunstgewerb...

Art Nouveau Art Deco earthenware vase, made in Belgium. 1930s Model F-42 Art Nouveau ceramic vase in excellent condition (no crack, no repair to the ceramic). There are 4 pieces Ava...

This elegant object of the Loetz glassworks was produced immediately after the First World War, in the years 1918- 1919. Although stylistic as well as technical recourse to past tech...

Art Nouveau earthenware vase, AMC made in Belgium. AMC stands for the Faiencerie de Wasmuel, A. Mouzin & Cie, in Wasmuel Belgium, started in 1878. Art Nouveau ceramic vase in exce...

Sarreguemines ceramic vase, Art Nouveau Period, France, circa 1890.

Art deco green colored glazed vintage tile, which shows a motif with a violinist. An amazing vintage tile designed by Michael Powolny, circa 1925, ...

Royal Bonn Art Nouveau vase.