19th Century Native American Crow Woman's Saddle

Genuine crow saddle with brain tanned deer hide. Original beaded horns and drops. Original wood and hide stirrups with drops connected with saddle leather st...

Ball headed war club of walnut with carved panther effigy. The panther is rare and a powerful warrior symbol that has different interpretations "He ...

Nez Perce beaded belt on harness leather adorned with brass diamonds in the center. Trunk piece - stored and in great condition. Beautiful colors of blues, reds, whites, orange and g...

Hidatsa Arikara medicine shirt worn by a warrior who deserved honors, pre-reservation. Horseshoes represent successful horse raids, and the six quilled eagle feathers signify war coups, scalps or battles. Would note, four real scalps possibly moved over from an earlier war shirt...

Early designed beaded Nez Perce martingale. Constructed stroud applied to canvas with beaded panels of hourglass and diamond motifs. Split tab and brass bell suspensions. Stunning pi...

Athabaskan snowshoe pair with wood frames having finely woven sinew front and back with heavy rawhide centers. String wrapped toes and wonderful golden patina. Ex. James B. Scoville ...

Constructed of native tanned hide with trade beads and horse hair, this doll is wearing a traditional period dress and moccasins. A nomadic tribe, the Sioux territory included parts...

A Classic Period (Pre-Reservation era) knife sheath created circa 1870 by a Crow (Plains Indian/Native American) artist. Constructed of Native tanned hid...

Antique 19th century Native American (Plains Indian) roach headdress made with dyed deer hair and porcupine guard hair on a u-shaped braided cloth with...

Very rare and unusual piece, a sterling silver "note holder" fronted by an Indian Chief on the front in high relief. A bale on top provides for a necklace and hanging as a decorative...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

Native American Indian doll with traditional Lakota Sioux Cherokee wedding dress with bead-work, one of a kind This is an authentic Native American, Am...