Lego Scrooge McDuck

This is an unusually large Burmese mounted Royal Figure or Nat that dates to the late 19th century or early 20th century. The figural group retains all of its original carved element...

This is a wonderful Folk Art collection of Mexican traditional Day-of-the-Dead ceramic figures. Although unsigned these figures are in the style of the Aguilar Family of Oaxacan pott...

These cups are highly decorative reproductions of Kuba Royal cups. They do not exhibit any sign of true age or use through traditional wear patterns. These w...

This is an exceptionally large Tonala figure of a cat. The piece is artist signed and most probably dates to the 1960s-1980s. The cat is beautifully mold...

This is an exceptionally well-carved portrait bust of an African man dating to the mid-20th century. The bust is carved from a single piece of mahogany; th...

This is a very good example of late 18th/early 19th century Cuzco School painting of a Madonna Representing "Our Lady of the Rosary" (Nuestra Senora del Rosario). The painting depict...

This whimsical folk art sculpture is a folk art toy of chimney sweeps. The outsider art is hand painted on wood cutouts. A wonderful hand made, hand painte...

Large hand-painted watermelon metal tray by Massachusetts folk artist, Peter Hunt. Hand-signed on front anno domini 1960 par pierre le chasseur d'orleans. Hand signed on verso Welc...

Abstract artisan folk art wall hanging. It is made of wood with nails hammered into it in a rectangular grid. The nails are hammered in at differ...

Very nice hand-carved 18th century dairy bowls made out of the rootwood. Some are later painted and som of them stamped with years and name.

Oil on panel depicting a man in a horse-drawn carriage by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's ...

Oil and acrylic on panel by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's skill at layering textures along with an aptitude for creating fantastical landscapes. Adding out of place animals (in this case, a lion and a tiger) to an otherwise believable countryside setting for a deer hunt, creates an imaginary context removed from reality. Del Favero's marriage of fantasy and whimsy beautifully suits his Naïve painting style. Signed on verso. Bio from the Philadelphia Museum of Art: Born Princeton, Michigan, 1910; died Greenwich, Connecticut, 1995 Bruno Del Favero moved from Michigan to northern Italy with his parents at age five, returning in 1928 and settling in Greenwich, Connecticut, where he married and remained for the rest of his days. He made his living as a mason, chauffeur, and landscape gardener. It is not known exactly when or why he began to paint his delicate and mysterious landscapes, but he was exhibiting in local art shows by the early 1970s and took himself seriously enough as an artist to join the Greenwich Art Society. He maintained a studio in the basement of his home, but never shared his art with his wife and five children. After the artist's death his family introduced his work to New York dealers Shari Cavin...