Antique French Old Master Sanguine Chalk Drawing Mother & Child Portrait

"Mother & Child" by Geneviève Zondervan (French 1922-2013) signed with initials oil painting on board board: 18 x 14.75 inches Mid 20th century oil painting on board by the ...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 11 x 10 inches Superbly decorative 1960's French portrait painting. Ideal ...

French character portrait. French school, mid 20th century. Gouache paint on unframed paper. Stamped. Image : 25 x 19.75 inches.   Superbly decorative 1960's French portrai...

Sepia ink and watercolor study of a mother holding a child against a backdrop of a town bridge by Bernard Labbe (French mid 20th century) original sepia ink and watercolor on paper...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her stud...

"Mother & Child" by Carlos Carnero (Uruguay/ French 1922-1980). watercolour painting, on very thin paper, unframed. Paper: 10.75 x 8.25 inches. Provenance: the artists estate, Paris Fine original French drawing by the important and fascinating painter, Carlos Carnero (1922-1980). The painting has excellent provenance, having come from the artists estate sale in Paris. The artists close connection to one of the 20th centuries most important artists, Fernand Leger is of important significance, with his own work being widely collected and appreciated. The artist: Carlos Carnero (1922-1980), a native of Montevideo, emigrates to Paris and joins Fernand Léger's studio workshop at the end of the 1940s. Located on the Boulevard de Clichy, the workshop-school has some seventy-five students. At the end of his life, Léger elaborates a protest against Cubism advocates the return to the human figure. The head of the workshop, Nadia Khodasievich, brilliant painter, first pupil of Malevich, then of Leger in the mid-1920s, became the assistant thenthe mistress of this one and the wife in 1952. In the workshop, Carlos Carnero, soon nicknamed "Carlos" is noted for his talent and involvement. In addition to art education, the couple Léger entrusts the task of the secretariat of the workshop: movements of the stocks, inventory paintings, material organization of exhibitions. After the death of Léger in 1955, Carlos becomes very close to Nadia, rigorous in the construction of the posterity of the master. With his new companion Georges Bauquier, they found, on their own funds, the museum Fernand Léger de Biot - Carnero gives his assistance. Carnero's style is very close to that of his master, filled with joy and colorful dynamism. At the beginning of the 50's, he tried the cubisante figuration of the portraits of Picasso then adopts the abstract balances between lines, shapes and colors of Léger. Some dates: Classical studies in Montevideo (Uruguay). 1941 to 1946 School of Fine Arts, architecture section (Montevideo). 1947 Travel grant (Italy, Spain, France). 1948 Painting workshop at André Lhote workshop. 1949 Entered the Académie Fernand Léger, first student, then 1949 to 1955 Assistant-collaborator of Fernand Léger. 1955 to 1970 Collaborator of Nadia Khodasievitch and Georges Bauquier. Exhibitions: 1950 Galerie Jeanne Bucher, Paris, Atelier Fernand Léger, Exposition collective, juillet 1950. 1951 Académie des Beaux-Arts, Paris, Atelier Fernand Léger, exposition annuelle, décembre 1951. 1953 Salon des Artistes indépendants, Paris. 1953-1954 Galerie Gentilhommière, Paris, Groupe 53. 1957-1958 Première Biennale de la “Jeune Peinture”, musée des Arts décoratifs, Paris, mai-juin 1957, Francfort, Montréal, 1958. 1959 “École de Paris” à Vienne, Linz, Gratz. Galerie de France, “Cinq peintres – Un sculpteur”. 1960 Galerie Création à Roubaix. Exposition personnelle. 1961 Galerie Pierre Weiller à Paris. Exposition personnelle. Salon des Réalités nouvelles. Palais des Beaux-Arts de Bruxelles. Exposition personnelle, mai 1961. 1962 Musée des Arts décoratifs, Paris, “Antagonismes 2 - L’objet”, juillet-octobre 1962. Galerie Pierre Weiller, Paris, “Poèmes Peints”, mars-avril 1962. Exposition personnelle. Musée d’Art moderne de la Ville de Paris : “L’art latino-américain à Paris”. 1962-1963 Exposition de peinture contemporaine, Communauté européenne, Prix Marzotto. Italie, Allemagne, Belgique, France. Exposition des Artistes latino-américains, Musée d’Art moderne de la Ville de Paris. “Expressions Nouvelles”, Antibes. 1962 à 1965 Salon “Comparaisons”. L’Oeil de Boeuf, Galerie 7...

A very fine pair of 18th century drawings depicting Gods and Goddesses, amongst them Minerva, Venus, Diana and Hera.

An Oil on Canvas Signed L. Nicolas. A follower of Nicolas Lancret (Paris 1690 - Paris 1743). This wonderfully detailed oil on canvas of mother and child in a solid carved wood frame....

Nice portrait of baby / young child dating from the end of the 19th century. Beautiful quality of execution; The face of the child is very fine and pleasant. The subject is well trea...

Oil on canvas. OLD MASTER, South-german master app. 1780s. Biblical scene titled "Die dienenden Engel", the servant angel. A museum´s quality work with fine details. Condition repor...

A beautifully engaging, darkly nuanced Theotokos of Vladimir Russian icon (or possibly Our Lady of Kazan Icon/Mother of God of Kazan) tempera painting (and possibly gold leaf) on a wooden panel featuring the Madonna (Mother Mary) and infant child (a baby Jesus Christ) in her arms. Theotokos is the term for an Eastern icon...

You are viewing a gorgeous American primitive oil painting of two girls This quirky portrait is a wonderful piece of folk art Circa 1840 Wonderful effect of craquelure from the age o...