1860s More Lighting
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Period: 1860s
19th Century Pair of Ormolu Candelabras in Louis XV Style
Located in Paris, FR
Pair of candelabras with two branches of light each in gilt and sculpted bronze. Their decor is inspired by Rocaille motifs of asymmetrical foliage that coils upward, creating a live...
Category
French Louis XV Antique 1860s More Lighting
Materials
Ormolu, Bronze
Pair of French 19th C. Ormolu Figural 4 Light Candelabras, After P. Gouthiere
By Pierre Gouthiere
Located in New York, NY
A fabulous pair of French 19th century ormolu figural four light candelabras, after a model by Pierre Gouthiere, After a Design by Jean-D...
Category
French Louis XVI Antique 1860s More Lighting
Materials
Bronze
Elegant Pair of Bronze Torcheres by F. Barbedienne, P. Dubois and A. Falguière
Located in PARIS, FR
MODEL PRESENTED AT THE 1867 PARIS UNIVERSAL EXHIBITION
Listed in the Ferdinand Barbedienne’s catalogue as the “Deux femmes debout” (Two standing ladies)
Signed on each one P. Dubois – F. Barbedienne Fondeur and A. Falguière – F. Barbedienne Fondeur
Rare pair of parcel-gilt and patinated bronze figures, representing two women dressed in Antique style costume with jewels, each upholding a seven lights-arm candelabra. Standing on round bronze bases and black marble socles.
Paul Dubois (1827-1905) entered the Paris Beaux-Arts School in 1858. He exhibited at the 1865 Salon the Chanteur Florentin, illustrating Florentine sculpture, observed after his journey in Italy. This work, cast that time in silvered bronze, was exhibited at the 1867 Paris Universal Exhibition (now preserved at the Orsay museum). Dubois' success brought him many commissions, both private (Portrait of Duc d'Aumale) and public (Jeanne d'Arc, in Reims). Appointed curator at the Luxembourg museum in 1873, Dubois became also a member of the Institute and finally headmaster at the Beaux-Arts School in 1878.
Alexandre Falguière (1831-1900) studied under Jouffroy at the Paris Ecole des Beaux-Arts, began his career at the Paris Salon in 1857 and won as soon as 1859 the “Prix de Rome”. Falguière became very quickly successful and was several times awarded medals at the Salon, such in 1868 with his marble sculpture Tarcisius the Christian Boy-Martyr, or at the 1867 Paris Universal Exhibition, where he won the first medal in his category. Thanks to that success, he was immediately commissioned by private collectors as well as by the French State, whom asked him in 1878 to realize the Triomphe de la République, placed in 1881 at the summit of the Paris Arch of Triumph...
Category
French Antique 1860s More Lighting
Materials
Bronze
Pair of 19th Century French Louis XVI Goat Heads Three-Light Wall Lights/Sconces
By Pierre Gouthiere
Located in Berlin, DE
Pair of large French 19th century Louis XVI goat heads three-light wall lights/sconces
A pair Louis XVI style gilt bronze three-branch wall lights, each with a backplate the lower part of which is in the shape of a goat's head resting on a foliage arabesque. The upper part of the backplate in the shape of an ivy-wrought stem being crowned by a stylized pinacle adorned with a large wavy ribbon bow, so-called Fontange ribbons. Scrolled candle arms with foliage and eagles' heads, the nozzles with acanthus leaf decoration.
Excellently chiseled and gilt impressive pair of Louis XVI wall lights...
Category
French Louis XVI Antique 1860s More Lighting
Materials
Bronze
Antique American Oil Lamp With Hand Painted Font and Brass Filigree Base
Located in New Orleans, LA
An American Victorian oil lamp having an outstanding hand painted floral font, cast brass filigree base, hand blown chimney and it's original burner and parts. It is high style Victorian elegance of the late 19th century meant to be displayed in your Victorian parlor with pride.
It was part of a circa 1860 Victorian household in old New Orleans lower garden district...
Category
American Victorian Antique 1860s More Lighting
Materials
Brass
Nineteenth Century Ships Deck Lamp
Located in Norwell, MA
Nineteenth century ships deck lamp with loop handle, oil burner with tank and glass globe. Vented chimney is pierced with stars. Circa 1865.
Category
American Antique 1860s More Lighting
Materials
Metal
Pair of Very Large Baluster Candelabras, Signed Eugène Hazart
Located in Paris, FR
Pair of candelabras in bronze and gilded and Marblewhite with three arms of lights in the form of a bouquet of flowers. The shaft in the shape of vase is decorated with two handles e...
Category
French Louis XVI Antique 1860s More Lighting
Materials
Marble, Bronze
Very Fine Pair of Mid-Victorian Parcel Gilt Bronze Oil Lamps, by Hinks
Located in Lymington, Hampshire
A very fine pair of mid-Victorian parcel gilt bronze oil lamps, by Hinks, each modelled as a bearded warrior dressed in the style of a Saxon king with a crowned helmet, broadsword and double-headed battle axe, standing in front of a slender scroll support surmounted by a cut glass oil reservoir, all set on a shaped ormolu base encircled with a victor’s wreath of oak leaves, and raised on an octagonal bronze base, converted to electricity, stamped ‘Hinks & Sons Patent’ on the fitting. English, circa 1860.
Footnote: James Hinks (1816-1905). Leaving home at 16 he tried many trades from wood turning, japanning, brush making, die sinking, medal making and even being a pub landlord, before manufacturing oil lamps. Working from the Crystal Lamp Works, Great Hampton Street, Birmingham, he was joined by his son Joseph and renamed the company ‘James Hinks and Son in 1862’. They won a patent for ‘improvements in lamps’ the following year and swiftly launched the ‘Patent Duplex Lamp...
Category
English Antique 1860s More Lighting
Materials
Bronze
Elkington Neoclassical Candelabra & Centrepiece, Sterling Silver, from 1867
Located in London, London
Hallmarked in Birmingham in 1867 by Elkington & Co., this attractive pair of Victorian, antique sterling silver candelabra, are in the Neoclassical Revival style, and hold three cand...
Category
English Neoclassical Revival Antique 1860s More Lighting
Materials
Sterling Silver
Pair of French Three-Flame Candelabra Candelabra, circa 1860
Located in Milano, IT
Pair of three-flame candelabra
Cast bronze, chiselled and mercury gilded
France, third quarter of the nineteenth century
Height 14.96 in (38 cm) X 12.59 (32 cm)
Weight 11.46 lb ...
Category
French Napoleon III Antique 1860s More Lighting
Materials
Bronze
Pair of English Regency Style Arrow Sconces, Circa 1860
Located in Hollywood, SC
Pair of English Regency style sconces with Fleur-de-lis, centered figural medallions, three scrolled floral arms, and arrow motif. Sconces were originally candle powered and have bee...
Category
English Regency Antique 1860s More Lighting
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In 1828, Victor Paillard joined Jean-François Denière, bronzier and chaser, and stared to learn while attending evening classes with Chenavard and the chiseler Martinot.
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He exhibited for the first time at the Exhibition of Industrial Products in 1839 where he presented two large candelabras, a clock with the figure of the Virgin with the goldfinch and a small caryatid clock in ground gold, the latter after a Feuchère model. The Jury then awarded him a silver medal just like at the 1844 exhibition. On this occasion, the critics praised Victor Paillard: “Good taste, respect for the work of the master sculptor, perfect execution, make Victor Paillard a remarkable manufacturer and an artist of merit ”. Indeed, Victor Paillard is a true artist as he is the author of a number of models, many of which represent young children and loves which he then performs in bronze. Such was his fame that he was appointed President of the Reunion des Fabricants de Bronze.
At the 1849 Exhibition he won the Gold Medal. For the 1851 Universal Exhibition in London, he directed the casting of the colossal statue of seated Queen Victoria, executed in bronze and zinc after Dantan the Younger. Subsequently, his production took a new turn: he was at the head of two hundred workers and began to produce more than four hundred models. In 1855, he was appointed member of the Jury of the 1855 Universal Exhibition in Paris. His fame then transcended borders as he was called to Belgium, Austria and especially Russia where he worked for Baron Alexander von Stieglitz. He also received several official orders, notably for the decoration of the Foreign Affairs Palace at the Quai d'Orsay: he made the clock, the bronzes for the fireplace and the four chandeliers with chimeras and groups of children at the Salon de l'Horloge. , the large Renaissance style chandelier...
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