Pair, Bronze Floor Lamps in Acanthus Leaf Design

Oval shape bronze lamp probably was a temple bell originally. Very heavy bronze aged beautifully to verde green finish. Sitting on a rosewood base 11x8 To the top of the bronze i...

1930s Gilt Bronze wall sconces. Each sconce has three candle lights, Electrified, in charming flower style lights with shield shape support.

Pair of large scale gilt bronze wall lights, circa 1920s Each sconce holds five lights. Beautifully cast Newly electrified.

Medici style, Fantastic pair of decorative Italian urns. Permanent original Pewter finish on solid bronze. Wonderful relief procession of drama, music, and dance. Handles on each sid...

Very decorative 18” tall bronze camel sculpture. Nicely patinated, side saddle with face mask on both sides. Probably made in China. C. 1920s.

1920s Sue et Mare. Exceptionally beautiful Gilt bronze oval mirror flanked on sides with glass bead covered down lights. Created by French designers Sue et Mare. Oval bevel mirr...

Beautiful monumental sized neoclassical style iron floor lamp with a gilt acanthus leaf design and an enormous parchment shade with gold leaf design. This piece is not marked but we ...

O/6899 - Italian floor lamp with gold leaf petals : suitable for any environment, modern or antique. It is not necessary to change the power supply, but als...

This is a great pair of solid bronze candlestick floor lamps that were created in in the mid-19th century and electrified in the mid-20th century. Both lamps are in overall good to v...

Height without/with lampshade : 168/185 cm (66,1 / 72,8 in.) ; Base : 43 x 43 cm (16,9 x 16,9 in.) Beautiful pair of neo-Greek floor lamps in bronze with double patina, composed of cylindrical lamps, decorated on the body with a rotating frieze representing women dressed in the Antique style weaving and spinning, surmounted by lampshades with cut sides in red pleated silk with golden braid. They are placed on pedestals from which hang thin chains attached to the slender shaft decorated with stylized leaves and flowers, resting on a tripod base decorated with large palmettes and ending in lion’s paws. The stylistic repertoire used here, composed in particular of palmettes, masks, and nymphs, evokes Greek Antiquity, as does the reuse of forms of furniture and objects such as tripods and antique vases. The rediscovery in the 18th century of the archaeological remains of Pompeii and Herculaneum allowed artists of all disciplines to draw inspiration from Antiquity while reinterpreting it. This trend did not fade and, in the 19th century, many personalities fitted out their interiors with neo-Greek furniture, as was the case for the Maison Pompéienne built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoleon, or Empress Eugénie who bought from the Maison Barbedienne pedestals inspired by antique tripods. Related work : Pedestal model presented by Maison Barbedienne at the Universal Exhibition in Paris in 1855. On this occasion, Empress Eugénie bought it for her bathroom in the Château de Saint-Cloud. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoir in the palaces of Compiègne and Fontainebleau. (see photo attached) Photo showing a floor lamp similar to ours in Empress Eugénie’s bedroom in the Château de Compiègne (Oise), in Architecture intérieure et Décoration en France des...

Transform your space into a natural oasis of luxury and elegance with this extraordinary floor lamp from the 1950s. Introducing a true masterpiece: a metal lamp exquisitely adorned w...

Pair of 1940s Italian large patinated bronze torcheres with original patina. Three interior Edison lights each.