Pair of "Bamboo" Stands attr. to H. Cahieux & F. Barbedienne France, circa 1855

Height : 197 cm (77,6 in.) ; Base : 42 x 46 cm (16,5 x 18,1 in.) Diameter of the tray : 24 cm (9,4 in.) Important bronze stand with a bamboo shaped shaft topped with three buds supporting a circular top and ending with three claw feet adorned with lion heads and separated with palms. It rests on a moulded triangular-shaped base with cut sides in red Griotte marble. Related work (see attached) : A model similar to ours was presented by the Barbedienne Company at the 1855 Universal Exhibition. For this occasion, the Empress Eugénie bought it for her toilet at Saint-Cloud Castle. A watercolour by Fortuné de Fournier made in 1860 shows them, set on both sides of a cheval mirror made by the Fourdinois Company. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoirs at Compiègne and Fontainebleau Palaces. Otherwise similar stands took place in the Pompeiian house built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoléon. Several pictures and engravings of this house show us these candelabras used...

Height without/with lampshade : 168/185 cm (66,1 / 72,8 in.) ; Base : 43 x 43 cm (16,9 x 16,9 in.) Beautiful pair of neo-Greek floor lamps in bronze with double patina, composed of cylindrical lamps, decorated on the body with a rotating frieze representing women dressed in the Antique style weaving and spinning, surmounted by lampshades with cut sides in red pleated silk with golden braid. They are placed on pedestals from which hang thin chains attached to the slender shaft decorated with stylized leaves and flowers, resting on a tripod base decorated with large palmettes and ending in lion’s paws. The stylistic repertoire used here, composed in particular of palmettes, masks, and nymphs, evokes Greek Antiquity, as does the reuse of forms of furniture and objects such as tripods and antique vases. The rediscovery in the 18th century of the archaeological remains of Pompeii and Herculaneum allowed artists of all disciplines to draw inspiration from Antiquity while reinterpreting it. This trend did not fade and, in the 19th century, many personalities fitted out their interiors with neo-Greek furniture, as was the case for the Maison Pompéienne built in 1856 by the architect Alfred Normand (1822-1909) for Prince Napoleon, or Empress Eugénie who bought from the Maison Barbedienne pedestals inspired by antique tripods. Related work : Pedestal model presented by Maison Barbedienne at the Universal Exhibition in Paris in 1855. On this occasion, Empress Eugénie bought it for her bathroom in the Château de Saint-Cloud. This model pleased the Empress so much that she ordered two other pairs in 1858 for her boudoir in the palaces of Compiègne and Fontainebleau. (see photo attached) Photo showing a floor lamp similar to ours in Empress Eugénie’s bedroom in the Château de Compiègne (Oise), in Architecture intérieure et Décoration en France des...

Pair of patinated and gilded bronze high guéridon attributed to L.C Sevin and F. Barbedienne, with for each of them, three paw feet joined by X shaped stretche...

Rare pair of Greek style floor lamps made in patinated bronze attributed to G. Servant, each surmounted of a frosted glass globe engraved of stars and a Greek motif frieze. The body of the vase, decorated with Greek style patterns such as palmets, Greek motif frieze and water leaves, stands on a shaft decorated with deer heads. Fine chains are connected to a delicate butterfly. The set is based on tripod legs with lion claw feet alternating large palmets. Height : 183 cm (72 in.) ; 213 cm (83 3/4 in.) with glass shades ; Diameter : 43 cm (19 2/3in.) Georges Emile Henri Servant (1828-c.1890), who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860’s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York. But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Pair of Greek style amphora shaped candlesticks made of gilded and patinated bronze attributed to F. Levillain and F. Barbedienne. Each flanked with two handles, and decorated with horsemen in relief. Standing on three lion’s feet headed with busts of putti and raised on a red griotte marble base. Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...

A pair of neo-Greek wall-light sconces executed in two patina bronze attributed to F. Barbedienne. The central up-turned foliage stem, surmounted by a Greek style vase...

Hand-carved in France, circa 1850, these fascinating wine press screws have been repurposed to form the columns of this rare pair of sellettes, or tall pedestals. Originally used at a French vineyard to extract juice from grapes by applying pressure, the screws are made of walnut wood. The turned screws...

Stunning architectural newel posts; wired with new glass globes.

Pair of Monumental gilded cast iron glass light candelabras, each with five arms having scrolling decoration, raised up on circular stems with ring de...

Monumental alabaster pedestal-mounted large scale neoclassical urn vase lamp. Spain, 1920-1930s. This ginormous urn lamp with handles has an elegant design an amazing aged patina. Standing on classical column pedestal. These opulent alabaster floor lamps provide a charming light and they have a gorgeous appearance when lit. The pedestal and the urn can be placed together or displayed separately as both parts have independent lights. Placed in a main entry hall, besdie a door in any other room or near a console table they will be stunning. Eye-catching used alone or with other alabaster urn table lamps and floor lamps to create a theatrical atmosphere (as shown at the images) On sale as a set ( column pedestal stand...

This striking sculptural ewer is exuberantly modeled with sepent form handle and dragon form spout, the baluster body is carved in high relief with a mask of the young Silenus amid...

An impressive and extremely decorative true pair of French 19th century Renaissance st. patinated bronze and ormolu columns signed Barbedienne. Each column is raised by superb lion legs with handsome paw feet and exceptional ormolu palmette leaves. At the base is an elegant urn shaped support with fine foliate and reeded designs with impressive richly chased open winged maidens at each side. The circular lightly tapered central supports display exceptional and finely detailed wrap around ormolu plaques with superb bison skulls...