Pair of Monumental French Gilt and Patinated Bronze and Rouge Marble Torcheres

A pair of large French Napoleon III style metal thirteen-light figural torchières.depicting two winged cherubs holding up a thirteen-light torchère, standing on bases with gold highl...

A large pair of ormolu and Lapis Lazuli mounted 19-light torcheres lamps. Each with two tiers of scrolling branches, raised on triangular base with the supports terminating in claw f...

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

A very large and impressive 19th century Empire style gilt and patinated bronze malachite mantel clock depicting 'Psyche Crowning Cupid.' Psyche crown...

A French Napoleon III Period Rouge Marble Gilt & Patinated Bronze Mantel Clock Alfred Emmanuel Louis Beurdeley Movement marked: J. Lefebvre Fils Paris & Numbered1938 Movement stamped: Medaille De Bronze J. Marti & Cie & Numbered 92 Dial signed: A. Beurdeley Fila, Paris France, Circa 1875 Dimensions: Height: 24" (61cm), Width: 22" (56cm) Depth: 11" (28cm) Excellent Working Condition Biography French — Alfred Emmanuel Louis Beurdeley was a Parisian cabinetmaker who specialized in the manufacture of luxurious French furnishings...

Fine 19th century French gilt bronze mounted Rouge marble 3-piece figural clock set Clock: Height: 19.5" Width: 10.5" Candelabras: Height: 22.5" Width: 9"

A fine 1867 exposition pair of patinated bronze figural torchères on pedestal Maker: A. Lacarrière Père, Fils et Cie. (Mid 19th century) Ori...

This pair of fine candelabra torcheres take form on a monumental scale, each of them standing almost two and a half metres tall. The casting is superior in its quality and could be attributed to one of the 19th century masters, such as Deniere or Barbedienne. Each torchere is formed of a fluted veined marble column set...

This beautiful piece consists of a patinated bronze female figure holding an urn with a glass flame, which serves as a lamp, all standing on a tall and finely decorated wooden plinth...

Maker: Mathurin Moreau (1822-1914) Origin: French Date: Circa 1900 Dimension: 69 x 15 1/2 inches

Constructed from patinated and gilded bronze, the large figures clothed in the Antique style, after the original design by Jean-Joseph Foucou, today residing at the Louvre, posed in ...

A monumental pair of gilt and patinated bronze figural sculptures of putti attributed H Nelson. Depicting two finely casted seated cherub holding reliefs. ...