Sword Wal Sconces

Pair of delicate 19th century English, Adams style neoclassical wall sconces Two foliate adorned arms rise from the hand carved reeded giltwood urns.

This Classic pair of Art Deco gunmetal wall sconce's was designed for "Purcell" by Karl Springer. This form comes in a few color and material variations. The gunmetal and clear Glass...

This exquisite pair of 18th century gilt bronze appliqués are for the distinguished collector. The detail pictures show all the hand chasing that was required after the casting proc...

A Fine Pair of French Louis XV style gilt Bronze double arm Wall sconces. Two arms decorated with feathers and bellflowers rise out of the faces of caryatids. The Lair shaped Backpla...

A Large Pair of American Art Deco silver plated wall sconces with original parchment hand stitched shades. The 900 silver plating on bronze is in great condition with exception of o...

This extremely rare pair of giltwood girandole mirrored wall sconces is English and was produced in the early 19th century in the Adam style. A bra...

Jeonghwa Seo is a Korean designer whose practice is mostly based in furniture manufacture. Having studied at Hongik University in Korea before obtaining a master degree from the Desi...

White wally wall lamp by Miguel Milá Dimensions: D 18.4 x W 10 x H 24 cm Materials: metal, glass. Also available in black. In the wally lamp, the iconic globe-shaped shade from...

Black Wally wall lamp by Miguel Milá Dimensions: D 18.4 x W 10 x H 24 cm Materials: Metal, glass. Also available in white. In the Wally lamp, the iconic globe-shaped shade from...

The Cesta family includes its wall versions, Wally Cestita and Wally Cesta, characterised by the globe as a light diffuser and a metallic structure available in black or white. Wally...

In the Wally lamp, the iconic globe-shaped shade from the Cesta family is supported by a metallic ring in white or black. It can be used indoors or out, the elegance of a true classi...

Wally aplique lamp designed by Miguel Mila. Manufactured by Tramo (Spain), circa 1962. Metal structure and plastic shade. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Milá represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí) and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Sometime after, he set up his own Industrial and interior design studio. Miguel Milá participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, André Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad, and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Milá stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...