Blue and White Delft Lamp

A mid-20th century Murano glass vase of double gourd form, with white ground and vertical twisted blue stripe. Please note: Lampshade not included. Currently wired for the UK.

A pair of blue and white Studio Pottery vases, now converted as lamps. Please note: lampshades not included.

A pair of blue and white Studio Pottery vases of cylindrical form, now converted as lamps. Currently wired for the UK. Please enquire for rewiring services. Please note: lampshades...

A mid twentieth century blue and white vase of large scale, decorated with swimming carp throughout, now converted as a lamp with a turned giltwood base. Please note: Lampshade is n...

A mid 19th century Gothic red and white decorated with trefoils. Currently wired for the UK. Please note: lampshade not included.

Italy, circa 1960 A midcentury large Murano glass vase in blue glass, of gadrooned oval form, now as a lamp. Height of vase 38.00cm Height with shade 67.00cm Diameter of base 13.00...

Dutch Delft blue and white lamp. Beautiful large Delft faience vase mounted as a lamp with bold floral decoration and borders with spectacul...

Late 17th Century Large Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Of octagonal shape, decorated with oriental figures in a landscape. The dimensions indicated herein include the lampshade. The vase only with its base and cover is approximately 12in. high by 8in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

17th Century Dutch Delft Octagonal Faience Vase mounted in brass and decorated with a chinoiserie décor of fighting warriors and exotic landscape. The dimensions indicated herein are those of the vase with the fittings and lampshade. The mounted vase only is approximately 10in. high and 7in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

An early twentieth century blue and white glazed Delft pottery vase, of hexagonal baluster form and decorated throughout with chinoiseries. Now mounted as a lamp on a water gilded ba...

A fine large Dutch Delft blue and white vase, of hexagonal form, beautifully decorated trhoughout  in tones of blue on a white ground, with  foliage and flowers and further stylised ...

Late 17th Century Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Decorated in imitation of a Chinese Ming vase with a sage, rocks and vegetation, mounted on a wood base. The dimensions noted include the lampshade and electrical fittings. The vase as mounted in wood is approximately 10in. high and 6in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...