Ingo Maurer Table Lamp Model Tiffany, 1969

German designer Ingo Maurer (1932–2019) was known as a “poet of light” for how he artfully created lamps that married form and function, from bulbs that soared on goose-feather wings to chandeliers that suspended bursts of shattered tableware like a slow-motion explosion. One of his first lamps, a 1966 design that was merely called Bulb, nested a lightbulb inside a larger glass lightbulb shape, drawing on his connection to German art traditions of reductive forms as well as Pop art and the playful aesthetics of 1960s pop culture. The success of Bulb — its fans included American design icon Charles Eames — led to the founding of his own company to produce this provocative fixture as well as other fantastic lighting designs.

Born on the island of Reichenau in Lake Constance in southern Germany, Maurer apprenticed at a newspaper before moving to the United States in 1960. In New York and California, Maurer initially worked as a graphic designer for IBM and elsewhere before returning to Germany with his then-wife, designer Dorothee Becker, in 1963. The experience that Maurer gained in typography and bold forms was regularly expressed in the lamps crafted by his company, which was called Design M before the name was changed to Ingo Maurer GmbH. The lighting manufacturer is still based in Munich.

Some of Maurer’s pieces were minimal, such as a ceramic table lamp in 1996 he called Broken Egg, which radiated light from a fissure in an oblong shape, while others were monumental, such as the designer’s last completed installation — a colossal chandelier composed of over 3,000 silver-plated leaves — in Munich’s Residenztheater. Maurer was always at the forefront of lighting innovations, exploring holograms, LEDs and OLEDs in his projects. Through his company, the venturesome Maurer also promoted inventive new designers, including Moritz Waldemeyer, whose My New Flame (2012) imagined a futuristic candle with LEDs.

Ingo Maurer GmbH continues to produce the late designer’s distinctive table lamps, chandeliers and other fixtures, including the imaginative Bulb that started it all.

Find a collection of Ingo Maurer lighting designs on 1stDibs.

For almost 200 years, Val Saint Lambert of Seraing, Belgium, has produced some of the most elegant and prestigious works of crystal and glass. Holding the distinction of being the world’s only Belgian glassworks, Val Saint Lambert creates exquisite items including ashtrays, serveware, vases and sculptures. 

Founded by chemist François Kemlin and engineer Auguste Lelièvre, the company opened its first glassworks in 1826. Its quality manufacturing of heavy-lead crystal and the expert craftsmanship of its wares quickly led to the company’s popularity. 

In 1894, Val Saint Lambert exhibited its geometric-cut crystal at the World’s Fair in Antwerp, Belgium. The central piece was “le Vase des Neuf Provinces,” or “The Vase of the Nine Provinces.” Under the direction of French glassmaker Léon Ledru, it took 30 artisans over 2,000 hours to fashion it from 85 individually crafted pieces. The exposure led to Val Saint Lambert becoming the primary crystal used by the Tsars of Russia and the company’s pieces being sold internationally.

That same year, the company crafted two immense crystal chandeliers for the Maharaja of Gwalior to hang in his palace in India. Weighing almost five tons each and measuring over 42 feet high, they were the largest crystal chandeliers in the world at the time.

The company closed its doors for the duration of World War I but soon reopened. By 1926, it had over 5,000 employees and had a growing demand for its pieces made in the Art Deco style.

During World War II, bombing from German and Allied forces destroyed the main glassworks facility. The company rebuilt, but by 1950, crystal was becoming more of a household item and less of a luxury good. 

In the subsequent decades, Val Saint Lambert collaborated with notable names to expand its offerings with sophisticated furniture, including work with Philippe Starck and Frans Van Praet. In 1992, Van Praet designed the famed Sevilla chair for Val Saint Lambert, a piece highly prized by collectors and designers.

In 2014, Belgian manufacturer Jacques Somville took over Val Saint Lambert. In 2018, Belgian entrepreneur George Arthur Forrest acquired the majority of the company. Val Saint Lambert continues to make some of the finest glass and crystal wares in the world.

Find Val Saint Lambert lighting, seating and decorative objects on 1stDibs.