Large Scale Ceramic Chinoiserie Lamp on Wood Base

Good looking rectangular Asian black ceramic lamp. The background is black with beautiful scenic animals and figures in mint green, pinks, and tangerine. Height listed is to the top ...

Measures: 34" to sockets. 19.5" to top of ceramic body. Takes two standard bulbs. Tusk style finial.

Large exotic turquoise crackle glaze ceramic Italian lamp. Moorish looking with a flower power tilt. Base is painted wood, 8 inch in diameter. Clear cord. Fine quality hardware. Two ...

Large spectacular pair of ceramic fleur de lis lamps. White and gold gilt glaze. Wood bases. 26" high to the top of the socket. 8" diameter base.

Large scale white ceramic faux bamboo pair of lamps from the 1970s. High relief bamboo motif. Very dramatic lamps.

Very large chartreuse and olive green melon form ceramic lamps from Italy.

Awesome chinoiserie ceramic lamps glazed in a graphite and rubbed with silver on silver leafed wood bases with custom silver duiponi shades. Similar in style to James Mont and Tony D...

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, Circa 1950s. A gorgeous interpretation of a Congolese Kifwebe mask rendered in off-white stoneware with incised surface detailing in shades of tan and brown. Mounted on a solid mahogany base. We believe this piece to have inspired by an actual carved wood Kifwebe mask in the collection of the MET. Possibly produced by Heifetz, but likely a one-of-a-kind off piece. SOLD WITHOUT LAMPSHADE. “The striations on both male and female masks, which are a unique stylistic trait of all Songye masks, are derived from the markings and patterns of wild and dangerous animals, such as the zebra or striped antelope, crocodile, lion, porcupine, and snake. Bifwebe (Male masks) may be painted black, white, and red. The colors of black and white, however, refer to gender. Female masks are predominantly white, if they are painted at all.” - Dallas Museum of Art “Kifwebe masks played a central role in Songye society enacting control over the social order, and participating in crucial activities such as initiations. This face mask only formed part of a costume ensemble that also included a hood, shirt, and pants made of woven bark, completed by diverse implements in animal skins, furs, and feathers. Like most masks in Western collections, this example was separated from the rest of the costume following its collection from Africa. Once removed from its original context, it no longer formed part of a kinetic and multisensory environment but was admired as a static object of strong graphic qualities, particularly its contrasting white and black striations, stylized features, and overall sense of balance.” - Metropolitan Museum of Art, New York Condition: Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos...

A brass urn lamp with fret chinoiserie motif handles on a wood base. The lamp's body is crafted from lustrous brass, giving it a rich, golden hue that catches the light beautifully. ...

A green ceramic lamp in the Asian style, with a crackled glaze in a deep jade green. Mounted on a brass base, the lamp has a pleated linen shade.

Large scale white ceramic lamp.

Pair of large scale turquoise blue ceramic lamps, American, circa 1960s. They have been rewired and are ready to use. The price noted includes the shades.