Pair of MAC Sculpture Italian Baroque Altar Candlestick Table Lamps

A stunning Continental Baroque well carved wooden altar candle holder pricket from the 19th century, now fashioned as a tall two-light table lamp,...

Elegant sophistication at its finest, we present this exceptionally rare pair of early 19th century fine quality French Empire Period candlestick lamps. The original antique table lamps complete, with clear and frosted glass lotus hurricane shades, patinated gilt bronze leaf decorative accents, inner spring-loaded brass column candle tubes, within white opaline glass stems, resting on beautifully patinated brass and iron circular base. circa 1810; France PROVENANCE / ACQUISITION Property from the Collection of Pat and Michael York Acquired from highly reputable auction house, Heritage Auctions...

A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque. This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese) The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging. Dimensions (approx): Overall: 22" High, 14.5" Wide, 3.25" Deep Figure only: 16" High, 10" Wide, 3" Deep Historical background: Artist: (attrib) Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...

A stunning antique, circa 1880s, Dresden porcelain figural flower encrusted candlestick - candelabra mounted as a lamp. Exquisitely handmade and painted in Germany in the late 19th century, developed by Ernst August Leuteritz, the very finest of quality, exceptionally executed in the decadent opulence and sophisticated elegance that is Meissen Rococo taste, featuring sculptural seated putti holding fruit and flower motif, having an architecturally articulated shaped baluster shaft, tripartite base rising on high volute C-scroll feet, elaborately decorated in the most intricate floral and fiolate applied and relief decoration in rich polychome and brilliant gold leaf gilt accents. Early 20th century and later light fixture elements, professionally electrified and fashioned as a large luminaire table lamp. The candlestick drilled, standard mounted with adjustable two light post, topped with removable rod retaining remnants of original paint finish with distressed chippy paint patina, surmounted with matching ornate porcelain flower bouquet...

A matching pair of exceptionally beautiful contemporary table lamps by iconic American designer JB Hirsch. Excellent quality and craftsmanship, exquisite...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

Vintage Barbara Cosgrove lamp. Features a Baroque styling with white painted finish, footed tripod base and black shade. Measure: 34" Shade diameter: 19".

Pair of elegant Italian baroque carved giltwood candlesticks torchères turned into table lamps with ivory silk lampshades Measures: Height 24 in /60 cm Diameter 14 in /36 cm Weig...

Pair of elegant Italian baroque carved giltwood candlesticks torchères turned into table lamps with ivory silk lampshades Measures: Height 24 in /60 cm Diameter 14 in /36 cm Weig...

The lamp base is made from three-sided bronze altar candlestick embellished with religious symbols en relief, as well as classical detailing and cla...

Pair of 19th Century Italian Baroque Style Bronze Candlesticks converted into lamps. Measures 21” to bottom of harp and 30” overall. Wired and in good working condition.

A unique pair of Italian mid century Neo-Baroque polyplaster table lamps in a dark bronze patina. These Neo-Baroque table lamps are an exquisite blend of vintage beauty and modern fu...