Fine 18th Century George I Gilt Gesso Pier or Console Mirror, Manner of Belchier

A George I style carved giltwood and gesso looking glass mirror. The rectangular mirror plate is in a leaf and shell carved moulded frame beneath a shaped cresting centered by a pier...

Very fine George I carved and gilt mirror, circa 1720, in the manner of John Belchier having an ostrich feather plume over tasseled central lambrequin, d...

An early 18th century George I giltwood pier mirror with carved decoration and broken pediment. The original beveled rectangular mirror plate with rounded top corners is set within a...

Beautifully hand-carved, gessoed and 22k gold gilded, c. 1760 pier mirror inset with its original two panels of mercury glass. The whole embellished with relief carved scrolls, and s...

Pair of French Style Wall, Console or Pier Mirrors. Gilt Gesso and Wooden. These finely crafted oval mirrors set in a heavily carved wood and composit...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...