1880s Pier Mirrors and Console Mirrors

19th Century Carved Rosewood Figural Etagere Pier Mirror Attr To Mitchell & Rammelsberg Dimensions : 96" Tall X 60" Wide X 21" Deep This mirror was made in the USA in the 19th cent...

A XIX Century German carved gilt wood pier mirror, en suite with a matching console table, sold separately. Stamped 'Coburg'

19th century French wall/mantel mirror, circa 1870. All in original condition with untouched gilding and beautiful gesso carved floral pattern all over the frame. Original mercury glass plate...

Sn4603, stylish Victorian floor standing or wall hanging mirror with original extensively foxed glass in rope decorated frame with large rope bow to the top and tassels to base. This...

This mirror has an egg and dart cornice above an upper cartouche painted with flying cupids framed with floral carved swags. The upper mirror is framed...

Total height with mirror: 383 cm (151 in.) Console : Height : 97 cm (38 in.) ; Length : 291 cm (114 in.) ; Depth : 47 cm (18 in.) Height with pedestals : 178 cm (70 in.) – Width of pedestals tops : 36 x 23 cm (14 x 9 in.) Provenance: Hôtel de Bourbon-Condé, for the Conte de Chambrun, 12 rue Monsieur, 7th arrondissement, Paris. This magnificent white carrare and bleu turquin marble Louis XVI style console is embellished with carved and gilded bronze ornaments. The belt, adorned with a fluted frieze, masks of Bacchus and rosettes, is standing on six spirally fluted feet with foliage on the extremities. The part meant to be placed against the wall is divided in several pannels framed with moulded and beaded bronze. Above the console stands a giltwood and white-painted mirror, richly decorated at its top with a carved head of Apollo flanked by acanthus leaves and treillis. The mirror is framed by two patinated bronze female figures, each holding seven-light candelabra and standing on pedestals richly adorned with laurel garlands and bronze frames. These are casts by F.Barbedienne, after models by J.A.J. Falguière and P.Dubois (they are signed to the base, one ‘FALGVIERE and F.BARBEDIENNE. FONDEUR’, the other ‘P.DUBOIS’ and ‘F.BARBEDIENNE’). The original models of these bronzes were shown at the 1867 Exposition Universelle before being installed at the Château de Compiègne for the enjoyment of Napoleon III and Empress Eugénie. The masterful console was commissionned to Barbedienne around 1880 to garnish the interiors of the Conte de Chambrun at the Hôtel de Bourbon-Condé, 12 rue Monsieur, 7th arrondissement, Paris. This console was part of the sale of the count’s art and furniture collections that took place on the 18th of June 1900 after the count’s death (listed as lot n°52 in the sale catalogue). Born in 1810, died in Paris in 1892, Ferdinand Barbedienne, the most important caster of bronze pieces of art during the second half of the 19th Century, created and directed in Paris one of the major artistic founderies of his time. Barbedienne specialised in classical reproductions, whose models were exposed in famous European museums. Their illustrated catalogues included many diverse objects such as busts, ornemental sculpture (clocks, candelabras, cups) sometimes even life-sized and also bronzes for furniture. Apart from his own production, Barbedienne worked for the most renowned sculptors such as Barrias, Clésinger and Carrier-Belleuse. All his works were highly esteemed and he, himself honoured by contemporary critics. At the London exhibition in 1851 Barbedienne's firm won two « Council medals ». At the 1855 Universal Exhibition, he won a medal of honour. The success of Barbedienne's firm brought him many official commissions. At the London Universal Exhibition of 1862 Barbedienne won medals in three different categories : Furniture, Silversmith work and Artistic bronzes. Barbedienne was made an officer of the Légion d'Honneur in 1867 and Commander in 1878 when he was compared with « a prince of industry and the king of bronze casting ». His glory did not decline with the passage of the time for at the Universal Exhibition of 1889 the critics thanked Barbedienne for the example he set for other bronze-casters by the perfection of his bronzes. Paul Dubois (1829-1905) studied law before entering the workshop of Toussaint, then the School of Fine Arts. After travelling in Italy, he participated to the Salon of 1863 and won the third medal for the sculpture category. He won several other medals : the Medal of Honour with his Florentine Singer...

19th Century French Louis XIV marble top console with mirror is a magnificent collaboration between expert and talented artisans from th...

K0399 Victorian overmantel mirror, having original glass with some foxing in carved and painted frame with scrolls to base. The frame has been painted in lilac over ink blue. This mi...

19th Century French Louis XIV Painted Trumeau features classically inspired architecture and elaborate bas relief and molded detail highlighted in gold to complement the warm beige p...

The rectangle bevelled edged mirror plate bordered by engraved panels in Venetian style these finished with interlace beaded ormolu border, the upper section with scroll ormolu decor...

Antique Italian neoclassical style faux marble and giltwood mirror. Interesting 19th century Italian neoclassical style faux painted and giltwood mirror with columns. The subtle fau...

Painted trumeau from Provence. Carved and painted finish has been scraped back. Note: Original/early finish on antique and vintage metal will include some, or all, of the following:...