Grand Giltwood Mirror Having Ornate Details

Gilt wood mirror with hand-carved ornate details. Having beveled mirror.

A gilt wood mirror with original bevelled plate in a scroll-carved frame.

Stunning gilt wood mirror with beveled glass and ebony accents.

Stunning gilt wood mahogany mirror. With giltwood details of a lion on the top and floral motif on the sides.

Stunning gilt wood mirror with beveled glass and hand-carved frame.

Stunning gilt wood mirror with beveled glass and hand-carved scroll work.

Large Ornate Oversized Mirror. Perfect for an area where you need to open up or widen the space. Heavy and ornate. This will embellish any wall with its majesty. It is not a full length pier mirror...

At two meters (or over six and a half feet) tall, this beautifully carved Louis XIV style giltwood mirror is a dramatic reminder of how luxurious French chateaus and palaces of the 1...

A carved giltwood mirror of very large-scale and great quality, made by Froom & Cribbs of London. The beautifully carved wooden frame decorated with flowers and foliage. The scrolled arched top centred by an open scallop cartouche with cresting eagle. Both the frame and glass are in good condition. Stamped on the back with important London makers name and address. Froom & Cribbs 1832-1849. At 136 Strand, London. Carvers and gilders, looking glass manufacturers, picture frame makers. William Froom (1791-1865) was christened in 1791 at St George the Martyr, Southwark, the son of William and Martha Froom. He first comes to notice in 1825, when he attended a meeting of more than fifty master carvers and gilders who resolved to resist the demands of journeymen for an increase in wages (The Times 30 June 1825). He followed Fentham & Co (qv) at 136 Strand, using the description, ‘Late Fentham & Co’, on his trade label for many years. By 1829 Froom had entered into a short-lived partnership with William Cribb (qv), which was dissolved in 1831 (London Gazette 3 May 1831). William Froom and his wife Elizabeth Anne had five children born between 1831 and 1840, christened at St Mary-le-Strand.William Froom was a customer of the composition ornament maker, George Jackson & Sons (qv), 1836-1842 (see Jackson account book, V&A Archive of Art and Design, AAD/2012/1/2/3). In the 1839 directory Froom was listed as a looking glassmaker and in the 1841 census as a plate glass manufacturer. He would appear to have retired from business in 1849 from his entries in the Post Office directory. In the 1851 census he was living in Oxford Square...

'Framed Mirror' is a unique mirror by the British artist, Brett Manley. Each of Brett Manley's artworks are created as a result of trying to comprehend her chosen medium with greate...

An exquisite example of the lavish taste of the Qing dynasty, this 19th century mirror combines intricately carved cedar and camphor woods. The era saw a stabile political climate and robust economy that fostered a desire for sumptuous and well-appointed furniture. This grand-sized mirror features delicate, airy carvings of bloom-filled vases and frolicking deer, emblems of longevity. Given the mirror's graceful, feminine appeal, it was likely originally hung in a lady’s sleeping quarters. Still resplendent, this majestic mirror...

A timeless design, this impressively proportioned mirror is a stunning addition to a grand foyer or a dining room. With the ability to be wall-mounted in either portrait or landscape...