Painted Plains Bow

Southern Plains decorated pony bow. Buffalo hide, beads and red ochre. Original string of twisted horse hair. Period: Mid-19th century Origin: Southe...

"Keeper of the Horses" genuine 19th century Northern Plains pictorial painted robe with over 50 horses, pictorial story telling of horse raids painted on Dapple Gray brain tanned Ind...

Northern Plains bone tube breastplate with brass beads, Russian blues and shell conch having one blue padre bead and two brass beads. Period: Early 20...

Northern Plains parfleche bonnet case with original long fringe. Old smoke from the teepee. Period: circa 1870 Origin: Northern Plains Size: Case 19" ...

Central plains warrior's otter skin breastplate/necklace with hand carved and painted deer antlers simulating grizzly claws. Venetian beads strung in be...

Northern Plains hair drop. Beaded blue with red accents. Quilled drops having tin cones and yellow feather fluffs with long black horsehair drop. Period: 19th century Origin: Great Plains - Northern Plains, Native American Size: 6" x 35" overall Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American, garments, Blackfeet, headdress, collectibles, antiques, Native American beadwork...

Constructed of native tanned hide with trade beads and horse hair, this doll is wearing a traditional period dress and moccasins. A nomadic tribe, the Sioux territory included parts...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

Beaded Knife Sheath Plains 1930s Cut glass trade beads, hide, sinew, tin cones, twisted hide, dyed horsehair. Excellent original conditio...

Custom Display Stand is included. This piece was created by the renowned Apache artist, Amos Gustina (1858-1945) commonly called an "Apache Fiddle," thi...

Fine quality hand painted porcelain humidor is in excellent all original condition with no chips, repairs, or overpaint; nice bright crisp paint and detail. No mark, but definitely American, circa 1900 era. Note the detail to the Indian's face and his elaborate headdress. Native American Indians were especially attracted to tobacco and related products and relished the opportunity to pose for pictures on that topic; note cigar store "Indians", match safes, and humidors. This is a very desirable and item of tobacciana with the Indian subject matter and the attractive multicolored hand painted Indian chief with headdress, probably of note but I have not been able to accurately identify him; quite possibly "Big Bow" an Indian warrior who has been identified on other similar objects. Grace Young...

Painted cottonwood Kachina "style" doll depicting a Navajo, circa 1940s. It is in good condition, with bright color. Kachina dolls were usually created to teach Hopi children the var...