1 Volume, Cicero, De Officiis

1 Volume. Pierre de Nolhac. Marie Antoinette.The Queen. Bound in full purple morocco by Riviere, raised bands, ornate gilt on spine and covers, gilt dentelles, all edges gilt, beautifully printed and illustrated throughout including the hand colored portrait...

1 Volume. Pierre de Nolhac, Marie Antoinette, The Queen. Bound in full navy morocco with covers displaying a crest, Fleur de Lis details, and borde...

1 Volume. H. Noel Williams, The Fascinating Duc de Richelieu. First Edition. Bound by Bayntun in 3/4 wine morocco and marbled boards bordered in gilt-tooling with a gilt-tooled raise...

1 Volume. Aeschylus, The Tragedies. First Edition. Bound in full brown calf with the covers displaying a modern Cambridge-style paneled design, toned and s...

1 Volume. Auguste Rodin, Art. Bound in 3/4 blue morocco and marbled boards with the covers and raised band spine displaying gilt-tooled detailing. The top edge is gilt with marbled e...

1 Volume. Emma Roberts, Hindostan. Bound in full red morocco with the covers displaying open-tooled central details, and gilt-tooled floral bordering details. The spines display raised bands, label lettering, bordering, and panel details, all gilt-tooled with some open tooling. All of the edges are gilded with floral gilt-tooled dentelles. Includes landscapes, palaces, tombs, temples, the shores of the Red Sea, and the sublime and romantic scenery of the Himalayan Mountains. Illustrated in a series of views drawn by Turner, Stanfield, Prout, Cattermore, Roberts, Allom, etc. Published by Peter Jackson...

4 vols.; 8vo, 6 1/2 x 4 in. (165 x 102 mm) , vol. 1: (6), xl, 293; vol. 2: (1), 314; vol. 3: 910, xi, 331; vol. 4: 91), 322. With 28 copperplate engravings designed by F. Hayman and engraved by G. V. Neist; all are signed by both artist and engraver; all have “Vol” and “p.” indications, except those for Vol. I., which have “p." indications only. Three-quarter tan calf binding with marbled paper, all edges stained yellow, gilt title, decorations and raised bands on spine. The antique bindings...

A beautiful box set of 2 books full of superb colourful designs by some of the leading designers of the Deco era. Volume 1 has designs by A. H. Thomas, E. Benedictus, G. Darcy and M....

"Richard Meier, Architect, Vol. 4: 2000-2004," Soft cover 1st publication by Rizzoli Publishing; 432 pages Book contains no markings on any sort on its pages. No loose pages. Bin...

This is a brand new (apart from volume 1/2 which is in a mylar cover for protection there is a 1cm tear in the front top left hand corner) still in cellophane complete 18 volume set...

"The Cartier of our time." —Christies. "Exquisitely refined creations. Rosenthal made jewellery modern but infused it with the timelessness of perfection." —Telegraph. "The Faberge´ of our time." —Diane von Furstenberg. Volume I showcases a selection of the jewels made since the shop's founding in 1978 up to "The Jewels of JAR - Paris" exhibition, held at Somerset House in London (November 2002 - January 2003.) Volume II presents a selection of works created between 2002 and up to JAR's exhibition at the Metropolitan Museum of Art in 2014. About JAR Since opening JAR in 1978, with the help of his Swiss friend Pierre Jeannet, Joel Arthur Rosenthal, has become one of the world's most sought after jewellery designers. A native New Yorker, Rosenthal moved to Paris after graduating from Harvard and has lived in the city for most of his adult life. He experimented in scriptwriting and then needlepoint, opening a shop where he experimented with unusually coloured yarns. It's clientele included designers from Herme`s and Valentino. Rosenthal was one day asked if he could design a mount for a gemstone, setting his career in a new direction. His signature includes setting gems in pave arrangements, so finely wrought as to be virtually invisible. Rosenthal uses...

Alfred Stieglitz, The Key, Set Volume I & II Published by National Gallery of Art/Harry N. Abrams, New York, 2002 Few individuals have exerted as profound an influence on 20th-cent...