Bill Brandt - Camera in London 1st edition 1948

Published by Jonathan Cape, 1st edition, London, 2004. Hardback with English text. A wonderful association city inscribed by Mike Leigh to Jim Broadbent from their time together wo...

Bill Brandt 'London in the Thirties' is considered a late-modern photography classic. The books consists of his classic photographs first published in magazines and were collected fo...

First edition, published by Scalo Verlag & Art Gallery of New South Wales, 2005. A scarce retrospective monograph showing 30 years of Bill Henson’s photographic works. One of the gr...

Scarce First Edition, published by Weidenfeld & Nicolson, London, 1958. The first ever photography book by the famed society and fashion photographer Tony Armstrong Jones...

First edition, published by Büchergilde Gutenberg, Frankfurt, 1968-1969. Text in German. From the same creators as ‘Beat in Liverpool’, this incredibly scarce first edition of London Scene...

Published by Phaidon Press Limited, 1st edition, London 1998. Hardback with English text - an introduction by Patrick Kinmonth. Mario Testino and his oeuvre certainly need no intr...

"Pucci - A Renaissance in Fashion" by Shirley Kennedy, 1st edition, printed in Japan in 1991. All excellent near perfect condition. Cloth cover. First white page...

Gordon Parks - A Poet and His Camera - Gordon Parks - 1968 Viking Press - 1st Edition - Printed in Switzerland. Hard cover ivory cloth book w/ gilt lettering and dust jacket. A nice ...

Beaton In Vogue 1st Edition hardcover book. Beaton in Vogue By Josephine Ross. Published by Clarkson N. Potter, First American Edition, 1986. 24...

Lost London by Hermoine Hobhouse. New York: Weathervane Books, 1974. First edition hardcover with dust jacket. 250 pp. A chronicle of the lost architecture of London due to fire, ene...

Willard Metcalf, Yankee Impressionist. New York: Spanierman Gallery, LLC, 2003. 1st Ed hardcover with no dust jacket as issued. 151 pp. Exhibition catalogue on the work of Willard Me...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...