Moderns by Gaston Diehl

Masterpieces of Modern Architecture. Published by Barnes & Noble of New York in 2006. Hardcover book with dustjacket. 303 pages.  

Klee by Denys Chevalier. Hardcover book with dustjacket. Published in 1979 by Crown Publishers Inc of New York. Printed in Italy. 51 Illustrations in color, 23 illustrations in black...

Van Gogh by D. M. Field. Softcover book, published in 2006 by Chartwell Books, Inc. Illustrated, 446 pages.

Lost Chicago by David Lowe. Illustrated with over 200 black and white photographs and prints. Hardcover book with dustjacket. Published in 1975 by Wings Books, a Random House Company...

Essential Monet by Vanessa Potts. Hardcover book with dustjacket, published in 2003 by Parragon Publishing of Bath, England. 256 pages, illustrated.

Tiffany Windows by Alastair Duncan. Hardcover book with dustjacket, published in 1982 by Simon and Schuster of New York. Printed and bound in Italy by ...

Hardcover book of Picasso illustrations and paintings by Gaston Diehl, Bonfini Press 1977, printed in Italy. Text in English. This book explores the many contributing elements to Pi...

Crafted by the acclaimed cabinetmaker, Charles-Guillaume Diehl (1811-1885), this tobacco (humidor) cabinet is a truly exquisite piece of antique oak furniture...

Rare cigar humidor made in wood, with a front flap, discovering five sliding cane trays. Beautiful bronze and silver electroplated brass ornaments, such as the central niche decorated with a winged creature, surmounted on top of the cabinet with a feline. Resting on four tall legs joined by a stretcher decorated with a silvered pierced bronze incense burner. The central relief of that cellarette for cigars, with that fantasy creature, is directly inspired from the one designed by J. Brandely for the front door of the Merovingian Cabinet made by Diehl in 1867, and now preserved at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see « Les ébénistes du XIXème siècle »,D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see « l’Art en France sous le Second Empire », Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active between 1867 and 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book « Les Merveilles de l’Exposition Universal de 1867 » (vol. II, pp. 133 & 149). He writes of a table of which « the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love » (p. 133) and a jewelry case where « The head in fine Grecian style makes up the essential part of the fine gilt bronze ornementation » (p. 149). For this Universal Exhibition of 1867, Diehl also formed a partnership with two famous sculptors : Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Gaston Lachaise: Portrait Sculpture by Carolyn Kinder Carr (Author), Margaret C.S. Christman (Author), Alan Fern (Foreword) Paperback – May 31, 1985. Pu...

Leroux, Gaston. The Phantom of the Opera. New York: Grosset & Dunlap, [1925]. Illustrated by Andre Castaigne. Signed by actress Carla Laemmle. 8vo. Rebound in black 1/.4 leather and cloth boards, with raised bands, gilt stamps, and gilt titles to spine. New matching archival slipcase. Presented is a photoplay edition of Gaston Leroux’s best-known novel, The Phantom of the Opera. This printing was published by Grosset & Dunlap, in New York, in 1925, to accompany the 1925 Universal Pictures film adaptation starring Lon Channey. It is illustrated throughout with scenes from that production, as well as with illustrations by Andre Castaigne. Additionally, the book is signed on the full title page by actress and prima ballerina Carla Leammle. The book has been beautifully rebound in handsome ¼ black leather and black cloth boards, with raised bands and gilt stamps and tiles to the spine, and a matching black archival slipcase. Partly inspired by historical, nineteenth century events that took place at the famous Paris Opera, the novel chronicles the masked Phantom’s obsessive love for a young chorus girl named Christine. The Phantom of the Opera was first published as a serial in the French Magazine Le Gaulois from September 1909 to January 1910. It was released in volume form in late March 1910 by Pierre Lafitte & Cie. The first American edition was published by Bobbs-Merrill in 1911. Due to its popularity, The Phantom of the Opera became the source for numerous adaptations, including the 1925 Universal Pictures film starring Lon Chaney and Andrew Lloyd Webber's Tony Award-winning 1986 musical. Alexander Grosset and George T. Dunlap first met while working for the American Publishers Corporation. In 1898, Grosset & Dunlap formed a new partnership with the goal to shift the focus of the publishing industry from expensive books for the few to inexpensive books for the masses. In order to avoid paying royalties and other publishing fees, Grosset & Dunlap started reprinting books that were already in print. With these profits, the partners purchased paperbound books in bulk to rebind them in cloth and resell. As the company grew, Grosset & Dunlap were able to purchase reprint rights from publishers before publication, including reprint rights from Edward Stratemeyer for the Hardy Boys...

This is a one-time only facsimile edition limited to 987 copies of a Medieval illuminated manuscript, the Book of the Hunt, by the Fren...