Understanding Jewellery - David Bennett & Daniela Mascetti - 1994

Published by Éditions Charles Moreau, 1998 Text by François Baudot, preface by Karl Lagerfeld. The distinctive designs of Gilbert Poillerat may be regarded as part of the Art D...

Patrick Hamilton -The Slaves of Solitude Published by Constable, London 1947. First edition. Hamilton, cult author of Hangover Square and denizen of seedy pre-war literary Lond...

Richard Henry Dana - Two Years Before the Mast. A Personal Narrative of Life at Sea. First Edition, Harper & Brothers N.Y. 1840. A very important c...

Edith Wharton. Ethan Frome. Published by Charles Scribner & Sons, New York 1911. First edition. This is the novel that sealed Wharton's success as a n...

Published by Ives Washburn, 1931 Large Folio-sized Hardcover book; 98 pages with 16 illustrated plates by Major Felton. Translated by Lewis Piaget Shanks. Very Good Condition. A Fir...

First Edition, published by Concordia Publishing House, St Louis & London 1969. An important and appreciative visual study of Christian artists across Africa, Asia and with several ...

A truly comprehensive and laser-focused examination of a really wonderful, expressive art form. Understanding caricature offers artists, aspiring artists, students, journalists, bloggers, etc... a lively guide to an old and respected art form. A great caricature is one that not only captures the subject's look and personality but amplifies them significantly. They are almost always funny and very often (but not always) mean spirited. Eyes, ears, nose, mouth, hairline, cheeks, eyebrows, teeth, chin: There’s no facial feature (or any other body part, for that matter) that can escape the sardonic scrutiny of caricaturist and illustrator Greg Houston. But though he cleverly twists, exaggerates, and distorts each subject’s image, he always makes sure the person remains recognizable—an absolute must for successful caricature. Whether on assignment or simply drawing for his own perverse pleasure, Houston loves skewering the high and mighty—movie stars, moguls, politicians, and assorted other VIPs—especially when they misbehave. Caricature, says Houston, is a very sharp weapon for the powerless to use against the powerful, and he can teach you to wield it, too. After defining caricature, differentiating it from other forms of portraiture, and delving into its centuries-long history, Houston gets down to the nitty-gritty of how to do it. He focuses sequentially on the face, the hair, the body, and what he calls “accoutrements”—distinctive items of clothing that help viewers immediately identify celebrities. You yourself will learn to poke artistic fun at the famous through a series of demonstrations that let you follow Houston as he constructs caricatures of Jake Gyllenhaal, Masie Williams, Dwayne Johnson...

(3) Vols., John Locke, Esq. An Essay Concerning Human Understanding; with Thoughts on the Conduct of the Understanding. Printed for Mundell & Son and J. Mundell, 1798 (Vol. I) and 17...

This exceptional Georgian barometer by the leading London instrument-maker John Bennett strongly reflects the prevalent furniture style and archite...

Over the years, British design company Linley has developed expertise in creating scaled versions of famous architectural buildings including the Metropolitan Museum of Art, the Royal Albert Hall and the Royal Opera House. In this instance, Highclere Castle...

Reversible Victorian brooch. A two sided swivel brooch, on one side a photograph of a Victorian gentleman, the other side has a marvellous intricate car...

Both a functional piece and a decoration, this scale from 19th century France bears a gallant charm that emanates from the symbolic nature of balance. Precision, equilibrium, confide...