By Way of Introduction, Signed by A.A. Milne, Circa 1929

Hemingway, Ernest. A Farewell to Arms. New York: Charles Scribner's Sons, 1929. First Edition, Later printing. Octavo, Rebound in quarter leather an...

Leroux, Gaston. The Phantom of the Opera. New York: Grosset & Dunlap, [1925]. Illustrated by Andre Castaigne. Signed by actress Carla Laemmle. 8vo. Rebound in black 1/.4 leather and cloth boards, with raised bands, gilt stamps, and gilt titles to spine. New matching archival slipcase. Presented is a photoplay edition of Gaston Leroux’s best-known novel, The Phantom of the Opera. This printing was published by Grosset & Dunlap, in New York, in 1925, to accompany the 1925 Universal Pictures film adaptation starring Lon Channey. It is illustrated throughout with scenes from that production, as well as with illustrations by Andre Castaigne. Additionally, the book is signed on the full title page by actress and prima ballerina Carla Leammle. The book has been beautifully rebound in handsome ¼ black leather and black cloth boards, with raised bands and gilt stamps and tiles to the spine, and a matching black archival slipcase. Partly inspired by historical, nineteenth century events that took place at the famous Paris Opera, the novel chronicles the masked Phantom’s obsessive love for a young chorus girl named Christine. The Phantom of the Opera was first published as a serial in the French Magazine Le Gaulois from September 1909 to January 1910. It was released in volume form in late March 1910 by Pierre Lafitte & Cie. The first American edition was published by Bobbs-Merrill in 1911. Due to its popularity, The Phantom of the Opera became the source for numerous adaptations, including the 1925 Universal Pictures film starring Lon Chaney and Andrew Lloyd Webber's Tony Award-winning 1986 musical. Alexander Grosset and George T. Dunlap first met while working for the American Publishers Corporation. In 1898, Grosset & Dunlap formed a new partnership with the goal to shift the focus of the publishing industry from expensive books for the few to inexpensive books for the masses. In order to avoid paying royalties and other publishing fees, Grosset & Dunlap started reprinting books that were already in print. With these profits, the partners purchased paperbound books in bulk to rebind them in cloth and resell. As the company grew, Grosset & Dunlap were able to purchase reprint rights from publishers before publication, including reprint rights from Edward Stratemeyer for the Hardy Boys...

This iconic Mercury Seven color lithograph, by artist George Bishop, is a signed limited edition collector's piece celebrating America's seven first space pioneers; the seven chosen astronauts for Project Mercury and the race to space with the Soviet Union. This poster was issued in two limited editions; one edition of only 125 prints and one edition of 1500 prints were created. This lithograph is numbered "513/1500", making this the 513th print in the larger edition. This large lithograph was conceived to raise seed money for the Mercury Foundation. The poster vividly depicts an historic Redstone rocket at the moment of lift off. In the plumes of the rocket's exhaust are the portraits of these seven courageous men, with the Moon in the upper background. The Mercury Seven were made up of Alan Shepard, Gus Grissom, John Glenn, Deke Slayton, Scott Carpenter, Wally Schirra, and Gordon Cooper. This poster has been hand signed in pencil by six of these seven astronauts for Project Mercury. Gus Grissom did not have the opportunity to participate in the signing, having died tragically in 1967 in the fire that consumed the Apollo 1 team during a pre-flight simulation. Instead, his wife, Betty Grissom, has signed the lithograph over his mission patch in his memory and for the benefit of Mercury Foundation. The astronauts signed largely and clearly next to each of their mission patches. Before Project Mercury, no person had even attempted to reach space. There was no guarantee that the project would work, yet these men volunteered to put their lives on the line for their country and science. The Mercury Seven were devoted, fearless, diligent, and bold — all the heroic attributes that Tom Wolfe waxes poetically about in “The Right Stuff.” Condition: The condition of this lithograph is excellent. Paper is healthy with no tears. The original color is still intact with no fading. The signatures at bottom have been verified as original signatures, not copies or autopen reproductions. Signatures are in pencil. Numbered #513/1500 in bottom margin. The poster is artfully presented framed with two additional photographs of the original Mercury 7...

Hoover, Herbert. The Ordeal of Woodrow Wilson. New York: McGraw-Hill, 1958. Signed and inscribed by Herbert Hoover. Sixth printing. Original dust jacket...

Truman, Harry. Memoirs by Harry S. Truman: Year of Decisions [and] Years of Trial and Hope. New York: Doubleday & Company, 1955-1956. Special Kansas City Limited Edition. Two Volumes...

Forsyth, Frederick. The Day of the Jackal. New York: Viking Press, [1971]. First American edition. Signed and inscribed by Forsyth on the title page....

AUTHOR: MILNE, A. A. TITLE: Winnie The Pooh. PUBLISHER: London: Methuen & Co., Ltd, 1965. DESCRIPTION: SIGNED AND DATED BY CHRISTOPHER (ROBIN) MILNE. 1 vol., 7-7/16" x 5-1/4", ill...

AUTHOR: MILNE, A. A. TITLE: When We Were Very Young - Winnie The Pooh - House At Pooh Corner - Now We Are Six. PUBLISHER: London: Methuen Children's Books, 1977. DESCRIPTION: INS...

AUTHOR: MILNE, A. A. TITLE: Now We Are Six. PUBLISHER: London: Methuen Children's Books, 1977. DESCRIPTION: LIMITED SIGNED EDITION. 1 vol., 7-9/16" x 5-3/16", limited to 300 numb...

Milne, A.A. (Alan Alexander: 1882–1956). NOW WE ARE SIX. London: Methuen & Co. Ltd., 1927. First Edition. Crown 8vo, 7 1/2 x 5 in (191 x 125 mm), pp. xi + 103 + colophon. With its...

Milne, A.A. (Alan Alexander: 1882–1956). The House at Pooh Corner. London: Methuen & Co. Ltd., 1928. First Edition. Crown 8vo, 7 1/2 x 5 in (192 x 127 mm), pp. 178, full-page and...

AUTHOR: MILNE, Christopher. TITLE: The Enchanted Places. PUBLISHER: London: Eyre Methuen, 1974. DESCRIPTION: FIRST EDITION INSCRIBED BY MILNE AND SIGNED BY HIS NANNY. 1 vol., hardcover, illustrated, inscribed by Milne on the front blank endleaf "- Birthday Morning 1975 - but also to remember the one of forty years ago, sun shining through a window in St. John Street & lighting a vase of daffodils on a little blue table & to remember to happy days of Christopher Robin & Pooh - & to remember -", under that signed by Christopher's Nanny (Olive Christine Rand Brockwell) "Always Old Nanny XXX XX X", bookplate to half-title additionally signed by Milne "A Favorite Friend", with the original DJ, not price clipped, FINE/NEAR FINE. Additionally, tipped to the front pastedown is an envelope in Milne's hand addressed to a Miss Elizabeth (Campbell) Hiskins containing a 2-page letter on Harbour Bookshop letterhead dated 28-2-75 which reads "How very nice of you to write to me: a letter like that couldn't possibly be a wol (sic). It made me very happy to think that I had helped make your birthday an enjoyable one. Yes, I have had a number of letters, many of the writers finding that the book awakened happy childhood memories, even though their own lives had been very different from mine. Often - as in your case - a common bond had been our skymen. I remember Michael and Geraldine well. So if you do ever see them again, please give them my best wishes. Yours sincerely Christopher Milne" ADDITIONAL INFORMATION: The "Harbour Bookshop" was the bookstore owned and run by Milne and his daughter Clare who was diagnosed with severe cerebral palsy. Milne remained close to his Nanny all his life. This book "The Enchanted Places" is dedicated to her. Olive was born on 2/23/1895 and died in 1978. Milne's reply letter to Elizabeth is dated 2/28/75. It's interesting to think that Milne would have asked Olive, quite possibly on her 80th birthday, to sign a copy of this book that he was giving as a birthday present. We know of no other book signed by Olive...