Cannocchiale ottone e cuoio con messa fuoco a due allunghi Inghilterra 1870 circ

Cannocchiale in ottone con impugnatura rivestita di cuoio e messa fuoco a tre allunghi. Manifattura inglese della seconda metà dell'800. Lunghezza massima cm 41, inches 16.1 minima c...

Cannocchiale in ottone con impugnatura in legno di mogano, messa fuoco a tre allunghi, completo di tappo e di linguetta parapolvere. Manifattura inglese della metà dell'800. Lunghezz...

Cannocchiale in ottone a sezione tonda dalla forma strombata con impugnatura rivestita di cuoio, firmato Ross London n. 34080 della fine del XIX secolo. Messa fuoco a tre allunghi, c...

Cannocchiale a sezione tonda in ottone con impugnatura rivestita di cuoio e messa fuoco a tre allunghi. Manifattura inglese della seconda metà dell'800. Lunghezza massima cm 71,5, i...

Cannocchiale in ottone a sezione tonda con impugnatura rivestita di Galuchat pelle di razza conciata e messa fuoco a tre allunghi. Manifattura inglese della seconda metà dell'800. Lu...

Bussola nautica da tasca in ottone, firmata 5m LANCERS COMPASS, manifattura inglese degli anni venti. La bussola è dotata di coperchio e di anello per la catenella. Rosa su carta a o...

bastone da passeggio di ispirazione Massonica. in legno ebanizzato, con intagli in filigrana di ottone . manico con intagli a forma di pesci. stelo in legno ebanizzato con intagli a ...

Second edition of this compendium of radical and post-modern design produced by the Tuscan-based firm Poltronova from its early collaborations with Ettore Sottsass, who became Art Director in 1958, through the heyday of 1960’s anti-design and to the mid-1970s. Features work by both Old Guard masters and emerging leaders of the Radical Movement including (in addition to Sottsass) Archizoom, Superstudio, Sergio Asti, Gae Aulenti, Angelo Mangiarotti, Allesandro Mendini, Massimo and Lella Vignelli, Gianni Ruffi, Giovanni Michelucchi, Gianfranco Fini, Mario Ceroli, Ugo Nespolo, Roberto Barni, Paolo Portoghesi, Gino Marotta, and the group De Pas, D’Urbino, and Lomazzi. Written by Pier Carlo Santini and published by Artigraf Edizioni in 1996, following its initial run in 1977. 4to, 181 pages with text in Italian; stiff printed wraps with printed brown paper dust jacket. Fully illustrated, primarily in black-and-white. Includes artist biographies. A scarce and significant resource chronicling the contribution of this avant-garde design firm. A crisp, collectible copy with only minor bumping to the dust jacket and extremities. From the estate of design guru Jim Walrod...

A very pleasing set of thirty-seven volumes in uniform leather bindings of the works of Edward Bulwer-Lytton. The works of Edward Bulwer-Lytton, a stunning collection in thirty-seve...

Grande appendiabiti da parete interamente in legno con quattro appendini in ottone lavorati e decorati. Il mobile si presta benissimo per ingressi o saloni, adattabile ad ogni gener...

Alta quasi 51 inches, questa grande bilancia italiana del XIX secolo è realizzata con un capitello corinzio intagliato a motivi folgiati, scolpito con foglie di acanto e laccato, u...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel instruments are renowned for their exceptional quality and rich musicality, representing the pinnacle of piano design in the Romantic era, and this piano – an early example of the technological innovation of cross-stringing that was burgeoning during the period – is one in a series of only six ever produced. This piano is in extraordinarily immaculate condition with nearly every original part, including the soundboard, pristine ivory keys, and the brass inlay in its beautifully figured walnut cabinet. Candle stands slide forward on either side of the collapsable music desk. This piano was first purchased by the French Count Charles Étienne Gustave Le Clerc, count of Juigné (1825-1900), one of the wealthiest landowners in Brittany and a member of the French National Assembly, later a member of the House of Representatives, and in late life, the Senate. The piano was restored in 1997 at Maison Erard by master restorationist Frits Janmaat in Amsterdam, and later conditioned by Edwin Beunk. In recent years, some of Europe's finest historically-informed musical artists played this Pleyel in PBS concert performances in collaboration with the late Sergiu Luca. Standing on substantial carved legs and brass wheels, the piano exudes a majestic presence through the graceful lines of its Second Empire style cabinet that embodies the period's aesthetics. The keyboard, meticulously crafted from ivory and ebony, is a testament to the attention to detail in every aspect. Its 85 keys...