Late 19th Century Algerian Brass Hanukkah Lamp

Folk art Judaica, antique brass Hanukkah lamp Menorah, Poland, circa 1870. Extremely good patina, the backplate molded with two rampant lions flanking ...

Brass Hanukkah Lamp, Salonika, Greece, 19th century. Openwork backplate with scrolled branches; three stylized flowers support central triangular c...

A late 19th century brass casted Hanukkah lamp made in Algeria. The lamp is made of three central parts: its body, a tray for placing the oil candles, and a holder for the servant li...

Brass Hanukkah lamp Menorah, Poland, circa 1810. Cast in Bench form, on four feet. The backplate is cast and pierced featuring scrollwork. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...

The backplate is cast and featuring a deer in the center surrounded by open scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah lamps that bear two servant lights (as opposed to the singular servant light normally found on a Hanukkah Lamp...

Cast brass Hanukkah Lamp, Galicia, 18th century. The backplate is cast and pierced featuring dense scrollwork. The side panels fitted with two servant lights, fronted by a row of eight oil fonts. Scholars theorize that these Polish Chanukah Lamps that bear two servant lights (as opposed to the singular servant light normally found on a Chanukah Lamp), served a purpose, having been used on one of the days that Chanukah fell on the Sabbath, as Sabbath Candlesticks. This lamp was made by the technique known as "sand casting". This process begins with a wooden mold that was carved out to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. The mold is pressed into fine sand mixed with clay, then removed, and molten brass poured into the impression. When a mold wears out, a casting from that mold is often used as the mold for the next generation. Those later lamps...

A true collectors item, this travail de maîtrise/master's work, made in France in the 19th century, dated 1879, a wooden three spoke wheel, mounted on a contemporary iron base, a rar...

Antique early 19th century English crimping or goffering iron, Circa 1840. Used to make ruffles, frills, flounces, and pleats in starched linen, the crimpling iron was first introduced in Italy in the early 17th century. Very popular from the Elizabethan era...

Antique Kurdish Bagface Bag, Late 19th Century Additional information: Dimension: 1'9" L x 1'4" W Origin: Northwest Persia Period: Late 19th Century Rug ID: 19592

This 19th century Punch doors stop from Punch and Judy. A famous puppeteer show in England since 1662. It is in amazing condition. This door stop is mo...

Antique Persian Baluch Bagface Rug, Late 19th Century Additional information: Dimension: 2'9" W x 3'0" L Origin: Persia Period: Late 19th Century Condition: Good condition with a s...

Exceptional and intricate blown glass ship, in red, white, and blue, tall and shapely with a billowing commission pennant and flag, probably Czechoslovakia, last quarter of the 19th century This mindboggling, intricate little ship is one of the more remarkable pieces of blown glass that I have ever encountered. Probably Czech-made and similar in nature to some of their most rare and extraordinary, figural, blown glass Christmas...