English Riding Boots with Original Tree Inserts, circa 1900-1930

Presented is a unique collage featuring both a signature by Will Rogers and a Walt Disney animation drawing of the famous entertainer. The postal...

Custer, Elizabeth B. Boots and Saddles, Or Life in Dakota with General Custer. New York: Harper & Brothers, 1885. First edition. Octavo. Embossed brown cloth front boards with gilt a...

This is a striking 38-star American flag. The flag dates to 1876-1890, when Colorado (represented by the large star in the center of the flag’s canton) joined the Union as the 38th s...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

Byrd, Richard E., Little America: Aerial Exploration in the Antarctic, The Flight to the South Pole. New York: G.P. Putnam's Sons, 1930. First edition. Octavo. Presented in quarter royal blue Moroccan leather and cloth binding, with gilt titles and stamps to the spine, and a new archival slipcase. Presented is the first edition printing of Richard E. Byrd's book, Little America: Aerial Exploration in the Antarctic, The Flight to the South Pole. It was published in New York by G. P. Putnam’s Sons in 1930. The book has been handsomely rebound in quarter royal blue Moroccan leather and cloth binding, with gilt titles and stamps to the spine, and a new archival slipcase. Rear admiral Richard E. Byrd (1888-1957) was an American naval officer and recipient of the United States Medal of Honor. Byrd was also known as a pioneering American aviator, polar explorer...

Offered is a unique collage featuring signatures from some of the greatest captains in history: Claire Chennault, Henry “Hap” Arnold, Hoyt Vandenberg, Carl “Tooey” Spaatz, William “Billy” Mitchell and Edward “Eddie” Rickenbacker. These men are some of the most influential figures in U.S. Air Force history. Each captain was involved in WWI and/or WWII, some were aces who proved the usability and effectiveness of airpower, and others were brilliant leaders who paved the way for U.S. victories and the development of the U.S. Air Force. This framed collage includes original signatures on cards, a letter, and a photo. A photo of a biplane is featured at bottom and includes signatures from Claire Chennault, Hap Arnold, and Hoyt Vandenberg. There is also a letter, dated 1942 and featured prominently in the center of the collage, that is written to Elwood Maurer and signed by Carl Spaatz. Two cards appear on either side of the letter, with signatures from Eddie Rickenbacker and William Mitchell. Complimentary black and white photographs accompany the signatures elements as well as a decorative pair of WWI pilot wings...

A pair of exquisite decorative brown leather riding boots made by Austrian Imperial shoemaker Scheer - Purveyor of the imperial and royal court of the Austrian and Hungarian empire. ...

Bespoke Medium Tall Gentleman leather boots. Handcrafted by the shoemaker Poulsen Skone & Co. England, 19th century. Interesting for collectors or ...

Pair of antique English leather riding boots with their original hardwood trees. Both boots are decorated with gold lettering, advertising Peal & Co. (later applied) Peal manufactu...

English Riding Saddle - All Leather by the Ansur Saddle Company. The style is the The Elite... The piece was acquired from an Estate in Los Angeles -...

Vintage Leather and Canvas Field Boots. A wonderful pair of juniors or Ladies riding boots. The boots are made of stiff canvas with tan leather tri...

By J. Chein, circa 1930, this tin lithographed and hand painted American tin wind-up toy is all original and in working order. There are a few scratches here and there (from normal play and use); but for a nearly 100 year old toy, it is in very good and all original paint with no touch up or restoration. The turtle is painted in colors of yellow (predominantly) with a turquoise border and red dots, and an orange neck; while the boy is dressed in yellow. The action of the toy portrays a boy riding a turtle; and upon winding up the attached clockwork key and releasing on the floor, the turtle with boy rider, ride away! The turtle moves his head up and down while the boy rocks up and down, as the turtle moves across the floor (see attached 12 second video of operation). Works well (unique for this toy) but occasionally "sticks". Of American manufacturer (marked on the left of center of the shell of the turtle), the J. Chein Company was in Harrison, New Jersey, and one of the premier toy makers of the 1930's. Dimensions: 8" long x 4 1/2" wide x 4" high Note: After 40 plus years of dealing and collecting toys, I am justly qualified to guarantee and present the authenticity of antique and vintage toys...