Whiting & Davis Sterling Choker

Scavullo Women published in 1982 by Harper & Row, New York. Written by Francesco Scavullo, with 46 of his portraits and candid interviews. The black cloth bound book with its origina...

Two part handsome crystal golf ball on crystal stand having great clarity. Perfect gift for a golfer to be placed on a desk or shelf. Measures: H-3 7/8" W-2 1/4" Base-2" sq. x 1 1...

Sterling silver marrow scoop in the "Pyramid" pattern by Georg Jensen and bearing the preferred Denmark hallmark incised on the reverse (see photo). Void of a monogram and recently p...

Pairpoint Glass Company ball shaped inkwell with the controlled bubble pattern that became synonymous with the company. The glass was blown around a molded form to create a receptacl...

Sterling silver decanter label or bottle ticket if you prefer the English style, handmade by silversmith Charles Rawlings in London, 1828 during the Geor...

The second in a series by Towle Silver Company "Two Turtle Doves" issued in 1972. Originally intended as a Christmas ornament or to be worn as a pend...

A perfect elegant vintage American evening bag! All beaded by Whiting & Davis Co. - For You, now. With classic style and color, this vintage ...

From the mid-late 1950s, a gold mesh evening clutch made by Whiting and Davis, the company who invented superior quality metallic mesh design and fashion, from the late 1890s into the 20th century. The envelope shaped evening bag is complete with two enclosures, a matching gold mesh coin purse...

A 1950's Sterling silver choker with prehispanic design by American designer Frederick "Fred" Davis. Manufactured in Taxco, Guerrero. The choker's links show a prehispanic Mayan glyp...

Large Enameled Modernist David Anderson Pendant with Long Sterling Chain,is app 23" long

From the Estate of Burt Lancaster in Beverly Hills CA, hammered sterling cuff choker necklace with malachite - a stunning necklace, rigid, modern and architectural. A true statement,...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...