Abstract Sculpture by John Chase Lewis

Freestanding cast and hand-collaged sculpture of sulphur bronze and silver by Boston-area artist Richard Filipowski. A densely textured, naturalistic form in the shape of a footed cu...

"Multi-Level Dwelling," a sculpture of blackened, textured steel, by Des Moines artist James Anthony Bearden (1964). Part of his cathedral series. With a certificate of authenticity ...

Tall Brutalist sculpture of blackened and collaged steel, perched on attached columnar steel base, executed in 2016. Titled "Passage," it is p...

Abstract sculpture of torch-cut steel and bronze by American artist James Bearden. From his “Woven” series, 2019. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

"Pod" sculpture in patinated steel with fused bronze. A new work by Des Moines, Iowa, artist James Bearden. Bearden's work was recently featured in a solo exhibition at the NY Design...

Sonic sculpture of torch-cut steel fused with glass enamel titled “Meteor Storm” by American artist James Bearden. The array of iridescent, molten-looking celestial shapes surmountin...

A large freeform organic 'spore' sculpture in stoneware hand crafted using the nerikomi technique by Lewis Trimble. The sculpture is constructed using the time consuming process of N...

Dated 1904, this stoneware bust was made by late 19th century Doulton sculptor John Broad. It depicts Lewis John Eric Hooper, descendant of John Doulton who was founder of the famous Doulton & Co. of Lambeth, London. A barrister at the time, Hooper became Managing Director of the ceramics company from 1919 and subsequently Chairman from 1925. Here he is depicted in his barrister dress by the talented hand of Broad, giving us a glimpse into the character of Hooper as well as Broad’s artistic talent for statuary. The bust is in good condition, made in stoneware and sits on a wooden plinth detailed with plaque. This bust is likely a one-off commission. Broad was one of the most prominent artists of Doulton & Co. during the late 19th and early 20th centuries. Specialising in large works, he had a talent for producing vases, statuary and portrait medallions. This stone bust of Lewis John Eric Hooper...

Modernist abstract sculpture, Brutalist guitar by John Metzen. Wonderful use of color, texture and space, twisted steel and blue coated wire.

'Apertura Slate 04' is a unique sculpture by the British artist, Jon Lewis, created from handblown television glass, cast iron and steel. The top section is held in place upon the metal base below by a strong magnet. A reoccurring theme throughout the years within Lewis' work has been the synthesis of glass with metal, which under the creative influence of the artist, results in corrosion, patination and texture. These blown glass forms are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. More about the artist; Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations. These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

Abstract sculpture by John Atkin. Signed by the artist 1963.

Vintage welded steel sculpture by Acton, MA artist, John Livermore, circa 1970s. Abstract architectural form on mahogany pedestal. Sculpture measures: 7...