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Unika Vaev Rya Rug

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    By William Armbruster, Edgewood Furniture
    Located in New York, NY
    Sinuous and sculptural pair of armless lounge chairs in polished stainless steel with new upholstery. Designed by William Armbruster and produced by Edgewood Furniture, circa 1954. Armbruster’s work was widely recognized in its day, including MoMA Good Design selections. This chair design was featured in Furniture Forum...
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    Vintage 1950s American Mid-Century Modern Lounge Chairs

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  • Gary Gutterman Sculptural Cocktail Table in Steel and Glass
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    Vintage 1970s American Mid-Century Modern Coffee and Cocktail Tables

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  • Dan Kiley Tall Cabinet
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    Tall cabinet of solid and painted wood, with six drawers and two doors, by renowned architect and landscape designer Dan Kiley. Basically, a freestanding built-in from the Charles an...
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    Vintage 1950s American Mid-Century Modern Cabinets

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  • James Bearden Segment Etagere
    By James Bearden
    Located in New York, NY
    "Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...
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  • Antonio Salvador Orodea Stoneware Vessel
    By Antonio Salvador Orodea
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    Bulbous stoneware vessel with narrow spout by Madrid ceramic artist Antonio Salvador Orodea, principal of the ASO factory. Part of a collection...
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  • Pair of Round Trisymmetric Side Tables After Vladimir Kagan
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    Late 20th Century American Mid-Century Modern Side Tables

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  • Hand-Loomed Rya Rug
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    Located in New York, NY
    Marvelous small plush Swedish Rya rug from the 21st century with a pictorial motif Measures: 1'2” x 2'1” Swedish Rya rugs are extremely colorful, lov...
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