Pair of Riemerschmidt Armchairs Chairs

Pair of C&B Italia Custom High Back Armchairs, Designed for Chicago interior by Powell Kleinschmidt, custom order pair of tilt, swivel (lock) adjustable armchairs; bronze tubular met...

Warren McArthur pair of chairs a Revision of Sardi's chair, a collaboration with Rudolph Schindler. Model #1251 AR manufactured in Rome, New York i...

Set of four Mastercraft imperial armchairs by Weiman/Warren Lloyd, made in Italy, circa 1975 Brass frames with cotton velvet seat and back button ...

Mies van der Rohe for Knl set of Four Bruno chairs with arm pads, Original Gray leather with stainless steel frames. * Seat Height (in): 17.5 * ...

Frank Ghery hat trick arm chairs for Knoll, bentwood furniture inspired by the simple bushel basket. Gehry quotes:"These come out of m...

Edward Wormley for Dunbar "A" Frame Arm Chair, Horseshoe curved back with original leather-covered armrests, solid mahogany frame, brass exposed screws...

We are delighted to offer for sale this exceptionally rare pair of Victorian Chesterfield library armchairs with Liberty’s of London style Art Nouveau carved frames What a pair of...

Liberty & Co, in the style of C F A Voysey. A pair of oak rush seat ladderback armchairs with circular caps to the tops and wavy ladders to the back, the arms with subtle outward sha...

These Selig Furniture Company midcentury barrel back lounge chairs pay homage to their original upholstery with a touch of modernity. Revitalized with a contemporary Zak + Fox fabric...

Wooden frame upholstered with pink fabric. Made in Sweden in circa 1890-1900.

Wooden frame painted with brass food ends upholstered with flower fabric. Made in Germany in circa 1890-1900.

A pair of Early 20th Century French Art Nouveau carved wood "Aubépine" armchairs by, Louis Majorelle. Both chairs are decorated on their back edges, arms, legs and skirt with carved hawthorn leaves and berry decoration upholstered in a off/cream white light snake pattern. circa 1905 Measurements: height: 32.25 in. (81.92 cm) x width: 36.75 in. (93.35 cm) x depth: 21 in. (53.34 cm) Condition: chairs are in overall very good condition with light wear. Fabric is not period. Literature: Similar chairs are pictured in: -Majorelle - Nancy: décorations d'INTÉRIEURS: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue), and in: Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, New York: Harry N. Abrams, Inc., 1991, p. 200. -Alastair Duncan, Louis Majorelle: Master of Art Nouveau Design, London, 1991, pp. 167, 183 and 200 -Majorelle: Un Art de Vivre Moderne, exh. cat., Musée de l'École de Nancy, France, 2009, p. 130 Biography : Louis Majorelle, (France; 1859 – 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...