René Herbst French Modern Rubber, Nickel, Bent-Wood "Sandows" Armchair, 1930

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Zenith Plastics / HermanMiller DAR Eiffel rope-edge chair Venice, California / Zeeland, Michigan, 1950 fiberglass, enameled steel early sticker label Measures: 24 7/8" W x 23 5/8" D x 31 3/8" H All original parts, including rare first gen. feet, which date the piece to the first batch of production (1950). Labelled. Gorgeous museum worthy piece. Quite possibly one of the most famous and iconic chairs ever, the Eames DAR would most commonly become known as the ‘eiffel chair’ due to its sculptured wire base resembling that of Europe’s most notorious landmark. The very first generation of the Eames DAR Eiffel Chair was recognizable not only for the ‘rope edge’ shell but also due to the protruding ‘1st gen’ feet as opposed to boot glides or later plastic feet. The abbreviated Eames DAR Chair stands for the Eames Dining (D) height, Arm (A) Chair, on Rod (R) Base released in the first year of arm chair production of the fiberglass series developed to the marketplace in 1950. The early success of the Eames arm chairs, released in 1950, was a co-ordinated effort between the Eames . Office (Designers), Zenith Plastics (Manufacturers) and Herman Miller (Distributors). The chair series was always designed to have interchangeable bases and the DAR was one of the ‘original 5’ alongside the DAX X-base, LAR cats cradle...

Warren McArthur chair, Warren McArthur Corporation, aluminum, leather, copper, rubber, USA, 1930s. Measures: 33½ H × 17 W × 21 D in Provenance: Collection of Stuart Parr Private Collection Warren McArthur Jr. was an innovator in Machine Age/ Art Deco furniture design. McArthur moved from Chicago to Los Angeles in 1929 to pursue metal furniture manufacturing; . he founded the Warren McArthur Corporation there in 1930. His furniture designs while unique were true to the Machine Age aesthetic. Machine Age design emphasized sleek forms inspired by automobiles, locomotives and airplanes. These objects were symbols of progress and modernity to the American consumer and industrial designers began constructing furniture in streamlined designs from steel, chrome and aluminum. Prior to the 1933 Chicago World’s Fair, known as the “Century of Progress Exhibition.” The fair’s tagline, “See America Streamlined,” and the abundance of metal furniture and home goods exhibited finally presented the concept of utilizing metal designs in the typical American household. The Museum of Modern Art followed suit in subsequent years with exhibitions like "Machine Art," (1934), and "Bauhaus 1919-1928" (1938), further exposing the American public to this design style. The Warren McArthur Corporation moved manufacturing to Rome, New York in 1933, just as metal furniture was gaining popularity; the company’s products were sold out of a showroom in New York City on Park Avenue. As a manufacturer, McArthur filed numerous patent designs which he utilized in advertisements to exhibit the innovations he developed. The company also proudly printed patent numbers on furniture...

Tommi Parzinger lounge chair and ottoman, ebonized frame, charcoal grey upholstery. Copy of the original purchased receipt included from Parzinger Originals Inc., dated January 15, 1958 Dimensions: 27" H x 28 1/2" W x 31" D and 15" H x 28" L x 16" Tommi Parzinger was born in Munich and received professional design training there at the school of art and craft, Kunstgewerbeschule. He began his career as a freelance designer of ceramics, wallpapers, lighting, textiles, furniture. He traveled and worked in Germany and Austria, becoming familiar with the modern movements of the day including the Wiener Werkstätte, the Jugendstijl, and the Bauhaus. As a professional designer in Germany he created porcelain for the German firm KPM, as well as posters, textiles, interiors and wallpapers. In 1932 he came to the United Stated as a prize for winning a poster contest for North German Lloyd...

Finn Juhl for Cado Modular Modern sofa lounge armchair set 1950s rarity, signed. Gorgeous rosewood base. Rare Finn Juhl for Cado Danish Mid-Century Modern modular three-piece sofa,...

Pair of armchairs, model “516”, originally designed by Ponti for the furnishing of Tranatlantico Conte Biancamano, Manufactured by Figli di Amadeo Cassina (Cassina), Italy, c. 1950 pierced slat back, off-white cream painted walnut, white woven cotton textile. Provenance: Private Collection, Connecticut, USA. Measurements 78 cm x 62 cm x 79.5h cm 30 3/4 in x 24 3/8 in x 31 1/4 in height Literature Galleria Deposito A...

George Smith Whiskey Mohair custom butterfly armchair, accent lounge chair. MSRP of over 8500 USD. Each piece of George Smith furniture is meticulou...

A fine pair of rare modernist Art Deco armchairs attributed to early 20th century designer René Herbst. Featuring black lacquered frames with geometric carved detailing and tubular b...

A pair of model 101 Sandows dining chairs designed by French architect Rene Herbst in 1928 and reproduced in the 1990's. First exhibited at the Paris Salon d'Automne des Artistes D...

Suite of four high stools Sandows model after Rene Herbst. The "SANDOWS" high stool after Rene HERBST. Its structure is in chromed tubular metal and the seat is made of bungee cords...

'Sandows' dining chairs designed by René Herbst. Chrome tubular frame with bungee seat and back. Designed in 1928, this piece is considered an early modernist masterpiece well ahead ...

René Herbst (1891-1982) was a French designer who studied in London, Frankfurt and Russia. He founded Établissements René Herbst in Paris and exhibited at the seminal “Exposition Int...

Rene Herbst was a French industrial designer and one of the pioneers of modern furniture design. Designed in the 1920s, Herbst created a series of innovative chairs produced for Form...