Beautiful Chair in the antique Louis Quinze Style

Solid wood, frame completely gilded. Upholstered seat and covered with a satin fabric.  

Solid beechwood, turned and grasped. Trapezoidal frame on conical balustrade-shaped legs, connected by straight struts. High backrest frame, perforated balustrade-shaped middle bars ...

Solid beechwood, carved, colored and gilded. Semi-circular ascending backrest frame with rocaille crowning. Passive, carved frame. Slightly bent frame o...

Solid beechwood with maple root veneer. Conical squares. Straight frame. Exceptional arched backrest. Connected by a curved middle bridge. Seat surface, classic padded. High-quality ...

Five very elegant chairs, solid beech. Straight frame on tapered squares. A Lyramotiv is hand carved in the backrest frame. Classic upholstered seat with fabric.  

Mahogany. Trapezoidal frame on slightly flared legs. Slightly curved backrest with straight top and middle bridge. High quality thread insert, extremely rare. Excellent warm patina a...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...

Having lion mask finials atop a small backrest, the frame of the chair entirely in spiral twisted oak, upholstered in grey velvet and trimmed in nailheads, raised on ball feet.

One of a kind charming authentic primitive stump chair made in a single solid hardwood. Hand carved by the Naga tribe in India, ca 1970s. A nice wabi...

An exquisite French bergere chair in the style of Louis XV. Spring green velvet upholstery with a metallic silver clad trim and legs. There are two cabriole legs on the sides and one...

Original artistic Art Nouveau antique pair Tyrolean stool chairs in hand-carved walnut, wax polished

Elegant and luxurious set of four cantilevered brass stools in the style of Milo Baughman made by Design Institute of America ("DIA") newly professionally reupholstered in super soft...