Items Similar to Daybed in Tropical Hardwood and Iron, Jorge Zalszupin, Brazilian Modern Design

Brazilian Modern Chairs in Chrome & Red Velvet by Jorge Zalszupin, 1965 Brazil

Brazilian Modern Armchairs in Hardwood & Brown Fabric, Jorge Zalszupin, c. 1950s

Minimalist Daybed by Jorge Zalszupin, Brazil, 1960s

Chair "Itamaraty" in Brazilian Wood, by L'atelier - Jorge Zalszupin

Pair of Chairs "Marina" in Freijó and Aluminum by Jorge Zalszupin, Brazil

Set of 12 'Del Rey' Dining Chairs, by Jorge Zalszupin, Brazilian Modern

Want more images or videos?

Request additional images or videos from the seller

1 of 8

Daybed in Tropical Hardwood and Iron, Jorge Zalszupin, Brazilian Modern Design

Name: Daybed in Tropical Hardwood and Iron, Jorge Zalszupin, Brazilian Modern Design
Brand: Jorge Zalszupin
Price: 9900 USD
Availability: InStock

About the Item

This exquisite platform bed, a creation of the renowned designer Jorge Zalszupin, seamlessly merges minimalistic elegance with functionality, encapsulating his signature style and setting a benchmark for contemporary furniture design. Zalszupin, known for his mid-century modern aesthetics and unparalleled craftsmanship, showcases his talent in this piece. Crafted with precision, the bed boasts a sturdy dark wood base that exudes a rich and warm aura, accentuating the natural grain patterns inherent in the wood. This is complemented by the sleek metal legs, which offer a subtle contrast and infuse an industrial chic vibe into the ensemble. These triangular metal supports, finished in a muted matte, not only enhance the bed's aesthetic appeal but also ensure its stability and durability. Atop this wooden platform rests a plush cushioned top, enveloped in a soft, neutral-hued fabric. This cushioning, typical of Zalszupin's dedication to comfort, transforms the bed from a mere piece of furniture to a haven of relaxation. Its meticulously stitched seams and edges further amplify its luxurious feel. Zalszupin's meticulous attention to detail and commitment to marrying form and function are evident in every facet of this bed. Drawing inspiration from both Brazilian modernism and the nuances of nature, he has created a harmonious blend of textures and tones. His philosophy revolves around creating pieces that are not just aesthetically pleasing but also ergonomically sound, ensuring that beauty does not compromise comfort. In conclusion, this platform bed by Jorge Zalszupin is more than just a piece of furniture; it's a reflection of mid-century modern design thinking, where every element is thoughtfully curated and where style and substance coexist in perfect harmony.

Creator:

Jorge Zalszupin (Designer)

Dimensions:

Height: 11.82 in (30 cm)Width: 76.78 in (195 cm)Depth: 38.19 in (97 cm)

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Cotton,Fabric,Iron,Wood

Place of Origin:

Brazil

Period:

Mid-20th Century

Date of Manufacture:

1960's

Condition:

Reupholstered. Refinished. Wear consistent with age and use.

Seller Location:

Sao Paulo, BR

Reference Number:

Seller: 68331stDibs: LU3173336647982

View Invoice

Shop All Jorge Zalszupin

Jorge Zalszupin

Just as emigrant Europeans — from Kem Weber and Paul Frankl to Marcel Breuer and Ludwig Mies van der Rohe — helped establish modernist design and architecture in the United States, so too did many of their peers foster the new design aesthetic in Brazil in the middle decades of the 20th century. Along with architect Lina Bo Bardi (from Italy) and Joaquim Tenreiro (from Portugal) — both of whom helped popularize Brazilian modern design and influenced today's generation of Brazilian designers — there was Jorge Zalszupin, who arrived from Poland in 1949 and created consistently sleek and elegant chairs, tables and case pieces using the South American country’s vibrantly grained tropical hardwoods.

Zalszupin was born in Warsaw (his given first name is Jerzy) and went on to study architecture at the École des Beaux Arts in Bucharest, Romania, graduating in 1945. Zalszupin moved to Paris but found few opportunities in the postwar City of Light. He was impressed by articles on the work of Brazilian architect Oscar Niemeyer that he saw in the André Bloc–edited magazine L’Architecture d’Aujourd’hui (Architecture Today). And after sailing to South America, Zalszupin went to work with his fellow Pole and architect Luciano Korngold in São Paulo. Zalszupin began designing furniture as part of his architectural commissions and created several pieces for Niemeyer for use in the new capital city, Brasília. He opened his own design and manufacturing firm, L’Atelier, in 1959.

While Zalszupin cannot be said to have had a signature style, his furniture designs all share a characteristic simplicity and purity of line and form. His work is often compared to that of Danish designers, most especially in their shared commitment to quality construction. He was a master of many materials: travertine marble for tabletops, slung leather for seating, man-made fabrics for upholstery and — his forte — highly figured woods such as jacaranda and rosewood. The latter plays prominently in two of Zalszupin’s best-known lounge chairs: the Brasiliana, with its austere, angular wood frame, and the Presidencial, with its curved seating shell and slatted backrest. Both chairs feature deep cushions and generous proportions in deference to the Brazilian proclivity for long and languid conversations. Yet both pieces — like all Zalszupin designs — possess a striking, tailored grace that would be perfect in any environment.

Find vintage Jorge Zalszupin furniture on 1stDibs.