Kerstin Horlin-Holmquist Garden of Eden / Lustgarden Chaise Longue Daybed, 1950s

A pair of Kerstin Horlin Holmquist Stora Eva chairs, newly upholstered in premium pure mohair fabric, designed in 1958 and produced by Nordiska Kompaniet (NK) as part of the Triva s...

Rare Jean Prouve Daybed from Cité Cansado, Mauritania, 1950s. Mattress and bolster cushion newly upholstered in a neutral washed linen Larsen fabric. The frame and wood are in origin...

1950s Recliner Chair Newly Upholstered in a luxurious dark brown (with a hint of grey) 100% mohair fabric . Structurally sound and ready to use.  F...

A wonderful, original Pragh footstool by Ib Madsen & Acton Schubell, Denmark 1950s. Newly upholstered in a premium bespoke pure Alpaca wool fabric. Fast shipping worldwide.

A rare pair of Charles Dudouyt stools, France, 1950s. The wooden frames in original condition with a nice patina and minor signs of use and wear and minor losses relative to age. T...

A pair of Federico Munari lounge chairs, produced in Italy in the 1950s. Ready to use as are or suitable for customer to reupholster. Fast shipping worldwide.

Made by: Nordiska Kompaniets Verkstäder, Sweden. Material: upholstery, beech. Size: 67 W × 30 D × 38.5 H in seat height 15 inches.

Graceful and inviting, the recamier chaise with arched back and rolled arm. The fainting couch is upholstered but it does show some ware. Although made in the Victorian period, it ...

An elegance chaise longue, Cleopatra daybed A daybed in curved shape with soft purple velours buttoned upholstered fabric The measurement is 190 cm l...

The “Little Adam” chair model is from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-...

The “Little Adam” chair model is from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-...

These “Adam” models are from the timeless and iconic Paradise Collection from the Triva Series, which was created in 1958 by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska Kompaniet. The name is inspired by “Paradiset” – the Swedish name for Eden. This pair holds a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created the peculiar shape of these chairs that is only increasing in popularity. Thanks to her unique vision, these chairs have an unmistakeable backrest that flows down to form the armrests. While the armrests sit low, therefore opening the seats, the chairs still give the impression of hugging the sitter. The upholstered bodies elevate the visual comfort, with stitch tufted backrests that are festooned with orange, symmetrically arranged cross stitches. The upholstery is a premium, light Italian fabric with a soft touch that complements the aesthetic of Hörlin-Holmquist’s design. Similarly, the stained and tapered beech legs pair perfectly with the sculptural and organic form of the bodies. Kerstin Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, these “Adam” easy chairs have become iconic. Condition: In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium Italian fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 30.71 in W x 33.46 in D x 36.61 in H; Seat Height 16.14 in 78 cm W x 85 cm D x 93 cm H; Seat Height 41 cm About the Designer: Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England. She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project. "I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..." Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture...