Danish Cabinetmaker Tall Sheepskin Armchair, circa 1940s

Danish Cabinetmaker Sheepskin Armchair, circa 1940s. This tall Lounge chair produced by a Danish Cabinetmaker in the 1940s and is typi...

Danish Cabinetmaker Sheepskin Lounge chair, circa 1940s. Lounge chair in the manner of Fritz Hansen produced in Denmark in the 1940s, featuring wonderfully curved arms and back and ...

Danish Cabinetmaker Sheepskin Armchair, circa 1940s. This tall Lounge chair produced by a Danish Cabinetmaker in the 1940s and is typical of Danish lounge chair designs of the day. ...

Danish Cabinetmaker Sheepskin Armchair, circa 1940s. This tall Lounge chair produced by a Danish Cabinetmaker in the 1940s and is typi...

Danish Cabinetmaker Sheepskin Armchair, circa 1940s. This large lounge chair produced by a Danish Cabinetmaker in the 1940s is typical of Danish lounge chair designs of the day. It ...

Danish Cabinetmaker Sheepskin Armchair, c1940s. High back lounge chair produced by a Danish Cabinetmaker in the 1940s. It features a curved wing-back with stained beech legs. The ch...

Danish cabinetmaker club chair in original brown patinated leather. Legs of stained beech. Made in the 1940s.

A Danish upholstered club chair with stained beechwood legs, circa 1940s. Recently upholstered with a cotton blend and contrasting buttons and piping.      

Danish cabinetmaker: Beautiful easy chair with stained beech legs. Sides, seat and back upholstered with white lambswool. Made in the 1940's Feel free to request a delivery rate and ...

The difference between Danish mid-century and other furniture is that there was this partnership between the designer and the cabinetmaker that resulted in ground-breaking creations....

Danish cabinetmaker lounge chair new upholstered with lambskin. Legs of stained beech. Made in the 1940s.

Danish Mid-Century Modern furniture reflected Scandinavian materials and craftsmanship and mixed them with a modern style, and the period from roughly 1940 through 1960 was a high point for Danish furniture makers. This set shows why. This particular chair silhouette has been popular since the 1930s, from around the time Flemming Lassen designed the overstuffed easy chair, the “Tired Man”, for The Copenhagen Cabinetmakers’ Guild Competition in 1935. The curved and organic lines of the design create an elegant silhouette for both the chair and ottoman. The design of this chair is characterized by organic, curved shapes that create a cosy and welcoming sensation. Since the enveloping back forms the arms as well but doesn’t reach all the way to the beginning of the seat, the design is very open and appears light. The gentle lines are highlighted by the soft wool blend upholstery that uniquely covers the entire bodies of the chair and footstool, including the legs as well. As a representation of early modernist seating...