Linen Corner Chairs
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Material: Linen
Mid-Century Modern Style Armchair with Natural Linen and Orange Piping
Located in Middleburg, VA
Called the “Viking Chair,” this Mid-Century Modern style armchair is extremely comfortable and will be a fabulous addition to your sitting room. Styled af...
Category
21st Century and Contemporary American Mid-Century Modern Linen Corner Chairs
Materials
Linen, Ash
20th Century Black French Art Deco Pair of Vintage Birchwood Club Chairs
Located in West Palm Beach, FL
A vintage French pair of stunning Art Deco club chairs with black linen upholstery. The frame is made of hand crafted tinted Birchwood, in good condition. Minor stain on one of the c...
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Early 20th Century French Art Deco Linen Corner Chairs
Materials
Linen, Upholstery, Beech
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Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth.
In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism.
A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu.
Literature:
• Arquitetura e Decoracao, no. 12, Jul-Aug 1955
• Tenreiro book...
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