18th C. PAIR Georgian Sheraton Period Dining Chairs Carved Inlaid Walnut

This a fine handmade English, George 111rd, Sheraton period hardwood, possibly walnut armchair with good carved detail and reupholstered drop in seat, dating to the late 18th century...

This is a superb hardwood, Mid Georgian, Thomas Chippendale period Armchair of excellent wide proportions and superb colour, which we date to the mid 18th century, George 111rd period, circa 1760. The Armchair has many fine features: Excellent wide proportions. Fine Scroll Arms. Similar carved Scroll Ears to ends of cresting rails. Intersecting ribbon pierced splat with carved detail. Fluted side rails to back. The pegged and jointed legs are square with an inside chamfer on both back and front legs. It has a drop-in seat with a very light green plain fabric. This drop in seat allows for an easy change of fabric covering to one of choice, by reupholstering the seat. The proportion of this chair is excellent with very good width and a good rake to the back and rear legs. The hardwood, possibly Walnut, has developed a beautiful mellow colour and patina with age and polishing over the years. Overall a fine quality, English Georgian Arm Chair...

This is a very elegant, good quality Side or Dining Chair from the late 18th Century period, circa 1785. Camel back chairs of this date are popula...

A very beautiful, fine quality, inlaid Tea Caddy from the English Georgian, Sheraton Period, Circa 1780. The Tea Caddy is all handmade with very fine quality features; * Beautifully...

This is a superb hardwood walnut or mahogany, Chippendale back, side or dining chair which we date to the mid 18th century, George 111rd period, circa 1760. The chair has a very well carved "Chippendale" back splat consisting of vertical interconnected ribbons with good detail. The top rail has a serpentine crest with central crisply carved detail with an acorn motif and well formed & carved ears with rosettes. The pegged and jointed legs are square with an inside chamfer back and front and the front legs are flute molded to match the side rails, with dovetailed "H" cross-stretchers. It has a drop-in seat which has been newly upholstered and webbed but could easily be upholstered in a fabric of choice. The proportion of this chair is excellent with very good width and a good rake to the backs and rear legs. The hardwood has developed a beautiful mellow colour and patina with age and polishing over the years. Overall a fine quality, English Georgian dining chair.

This is a classic English walnut chair from the Queen Anne period with a beautiful mellow color and dating to circa 1700-1710. This is a very good example of this classic antique de...

Set of six period English walnut George II side chairs Six period Georgian side chairs in transitional form moving from Queen Anne to George II in design and age. Original finish....

A pair of antique walnut dining side chairs in the Chippendale style, unbranded. Features carved backs, colorful needlepoint seats, cabriole legs with carved knees and ball in claw f...

An exceptional set of six Queen Anne walnut dining or side chairs with hand carved reticulated splats and front cabriole legs terminating with pad feet. The slip seats have been rece...

Set of 7 English Sheraton style (20th Century) mahogany chairs with an oval open back with a carved center medallion and fluted tapered legs. Sides: 21½"w x 17"d x 36"h.

A very good quality set of twelve 18th century Portuguese dining chairs, each with carved and fretted gilded foliate decoration, stuff over embo...

All six frames featuring swan shaped brass inlaid motifs strikingly silhouetted against ebonized panels within brass moldings, over hand carved lyre-shaped splats replete with brass 'strings'. The frames also featuring brass strung stiles, front seat rails & sabre-leg front supports. All are in exceptionally sound condition due to the classical construction method of using oak as the secondary wood for added strength & durability. The swan motif was highly favored by cabinetmakers & mount makers during the Directoire Period and was associated with Napoleons consort Josephine, by interpreting her protective nature towards her children like that of a swan towards it's cygnets). For comparative examples see works by Charles Percier...