Armchair in Patinated Leather, Danish Design, 1940s

Danish armchair in patinated leather and mahogany. Designed and made in Denmark, great original condition.

Armchair in faux leather designed and made by Fritz Hansen in 1940s. Original condition.

Armchair in fabric designed and made by Fritz Hansen in 1940s. Original condition.

Pair of chairs in oak and patinated leather, designed and made by Fritz Hansen cabinetmakers in 1940s. Great condition.

Danish armchair in patinated leather and wenge. Designed and made in Denmark, great original condition.

Armchair in patinated leather made by Danish Cabinetmaker in 1930s. Great original condition.

Danish armchair from the 1960s. Furniture in very good condition, after wood renovation and replacement of the fabric with a new one. New natural navy blue leather from Italy Dime...

An armchair from the 1960s from Denmark. The furniture is in very good condition, after professional renovation, the seat and backrest are upholstered with new natural leather. Di...

Jules Leleu (1883-1961) - Two fine French Art Deco mahogany arm chairs by Jules Leleu. Price is per armchair, only two are available.

An exceedingly rare Hans J. Wegner Model A721 cognac leather and oak early Danish Mid-century executive chair for Planmøbel, Denmark 1940. Originally designed by Wegner following his work for Arne Jacobsen and Erik Møller’s ground breaking Rådhus (Aarhus City Hall) project in 1940, the A721, stands out as one of his earliest known chair designs. Along with a number of other chairs like the B123, the Rådhus chairs were handcrafted by Michael Laursen, I.C.A Nielsen and Planmøbel specifically for the project. Originally made in small numbers all the chairs were of uniform construction with solid oak frames matched to leather upholstery and with thick, solid jointing work that complemented the angular forms. Here we also see for the first time, Wegner’s use of the flared arm rest that were a signature design element for every armchair produced for the Rådhus. These flares were either carved into the wood (as in the Council chamber chairs...

A beautiful Regency style desk chair or side chair Circa 1940s Carved walnut, with caned seat. Measures: 22"W x 22"D x 33.5"H. Seat h...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...