La Falaise Bench & Side Table - Eduard Locota with turquoise-green Acrylic Glass

“La Falaise” is a French name translated into “The Cliff” Walking along side to the Failaise d’Etretat, inspired by the beauty and strong contrasts of the France’s Northern Coast...

Materiality Vol 3 Materiality series represents the thinnest line between design and sculpture. Technical data: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass and cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Ultra limited edition of 12 + 4 ap. Shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. Dimensions may vary 1 – 2 cm. Few words from the artist: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. Plastic concept: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...

“La Falaise” is a French name translated into “The Cliff” Walking along side to the Failaise d’Etretat, inspired by the beauty and strong contrasts of the France’s Northern Coast...

Memorable With a vocabulary of clear shapes, Eduard Locota is creating visually reductive works that imply rather than resemble the subjects in the artwork, beyond the threshold o...

The Story Walking along side to the coastline of Etretat, at the France’s Northern Coast. The verticality and powerful lines between rock and vegetation, between the shades of white...

Introduction: Each artwork must create a special bond with a memory, that bring out the most memorable and personal experience every time they look at this unorthodox piece of furni...

Emeco and Morrison together, designed and engineered The Alfi Collection with the conviction that what you don't see is as important as what you do see. Alfi reflects Emeco and Morri...

Emeco and Morrison together, designed and engineered The Alfi Collection with the conviction that what you don't see is as important as what you do see. Alfi reflects Emeco and Morri...

Emeco and Morrison together, designed and engineered The Alfi collection with the conviction that what you don't see is as important as what you do see. Alfi reflects Emeco and Morri...

Emeco and Morrison together, designed and engineered The Alfi Collection with the conviction that what you don't see is as important as what you do see. Alfi reflects Emeco and Morri...

Rare and fabulous steer horn vanity bench with a suede fabric. In excellent vintage condition with minimal wear. Horns are tight and sturdy with no damage. Truly a rare form.

Incredible Egyptian bench with Modern pearl inlay, 1960s. Great condition.