Danish Teak Sofa and Chair, Grete Jalk

What would the reputation of mid-century Danish furniture be without legendary female designer Grete Jalk? A pioneer of Scandinavian modernism, Jalk sought to craft furniture that was both cost-efficient and high in quality, each piece made for the evolving interiors and design sensibilities of the day. She continues to be celebrated for her sleek and minimal armchairs, lounge chairs, coffee tables and more.

Jalk was born in 1920 in Copenhagen. She studied at the Drawing and Applied Art School for Women before enrolling at the Royal Danish Academy of Fine Arts, where famed designer Kaare Klint was among her instructors. Jalk completed her studies in 1946 and began a cabinetmaker apprenticeship. That same year, she won an award at the Copenhagen Cabinetmakers’ Guild competition. Jalk also participated in the 1951 Milan Triennial exhibition, where her designs earned more acclaim and attention.

In 1954, Jalk opened her own design studio and began working with major Danish furniture manufacturers like Fritz Hansen and Glostrup Møbelfabrik. She found inspiration in plywood experiments carried out by Alvar Aalto and Ray and Charles Eames, and she quickly became known for her pared-back, expressive designs, which touted fluid forms and were made of alluring woods such as teak and rosewood.

Jalk’s best-known work is the 1963 GJ chair, a collaboration with cabinetmaker Poul Jeppesen that won first place in the Daily Mail International Furniture Competition. Made of two pieces of molded teak plywood, the sculptural GJ lounge chair is part of the collections of the Museum of Modern Art and Metropolitan Museum of Art.

While creating her iconic furniture designs, Jalk wore many other hats. She taught at the Royal Danish Academy of Fine Arts and served as an editor of the Danish design magazine Mobilia from 1956–62 and 1968–74. In 1974, Jalk curated a traveling design exhibition for the Danish Foreign Ministry and was named a member of the Danish Design Council in 1981. She was also the editor of 40 Years of Danish Furniture Design: The Copenhagen Cabinet-makers' Guild Exhibitions 1927–1966, published in 1987.

Jalk passed away in 2006 at the age of 86. In 2008, Danish furniture manufacturer Lange Production was granted exclusive rights to reproduce the GJ chair, a design as fresh and original today as ever.

On 1stDibs, find vintage Grete Jalk seating, tables and storage pieces.

Grand Rapids, Michigan, was once known as “Furniture City” for its local mass-production industry that flourished from the mid-19th century into the early 20th century, led by furniture manufacturers like John Stuart. Stuart’s eponymous company, which would build showrooms in New York and Philadelphia, designed and sold elegant reproductions of various furniture styles, including 18th-century French and English furniture as well as what we now call mid-century modern home furnishings built by European craftsmen in the entrepreneur’s Grand Rapids factory.

In 1845, a British cabinetmaker named George Widdicomb arrived in New York before moving to Grand Rapids. There he set up a small cabinet shop in 1857 with a dozen craftsmen, including his son John Widdicomb. The store quickly found success due to Widdicomb’s English training and the dearth of other quality furniture makers in the region. Toward the end of the 19th century, Grand Rapids had earned an international reputation as a leader of American furniture manufacturing, and while the Widdicomb family would navigate some difficulty after the Civil War, they emerged anew as Widdicomb Brothers and Richards, and then the Widdicomb Furniture Company. Widdicomb’s son started his own company in 1897, the John Widdicomb Company, and in 1929, the Grand Rapids–born John Stuart joined the company as a director.

Stuart, who had been in the furniture industry since 1913, was named president of John Widdicomb Company in the early 1940s and by then had formed John Stuart, Inc., with partner Herbert M. Rothschild. John Stuart, Inc.’s offerings included oak buffets and other dining-room furnishings crafted in the Tudor and Elizabethan styles, with cabinet doors and drawer fronts characterized by meticulously carved natural-world motifs and other decorative flourishes. Stuart also oversaw the design of reproductions of sophisticated walnut and mahogany Queen Anne side tables and dining chairs, with the latter marked by pronounced, vase-shaped curves in the back splats and cabriole legs. In 1952, the manufacturer and distributor’s founder sold the business, including the right to trade under his name, to the John Widdicomb Company.

Find a wide variety of vintage John Stuart furniture on 1stDibs.