Brutalist Spanish Mid-Century Sculptural Tripod Chair '50

Lovely tripod stool with faux leather seat. This one is made around the 1950's. In a very good condition seen it's age.

Gorgeous oak bar stools with wicker seat and oak frame. Clear pin hole connections give the chairs a nice robust look. The stools are in a good condition with some visible signs of...

These oak bar stools embody the essence of wabi-sabi, celebrating the beauty of imperfection and the natural aging process. Crafted from sustainable materials, they seamlessly blend ...

Authentic Mid-Century Dutch Brutalist Oak Chair Step into the bold world of Brutalist design with this exceptional and rare oak chair from the 1950s. Crafted in the heart of the Netherlands, this piece stands as a testament to the robust and raw architectural movement that celebrates materials in their most unadorned form. Constructed with the strength and durability emblematic of Brutalist design, the chair's solid oak structure showcases a commanding presence. Its weighty, substantial form is balanced by the understated beauty of the wood's natural grain, which has been allowed to develop a deep, expressive patina over the decades. Upholstered with a fabric that features an understated floral motif, the chair offers an inviting texture contrast to the oak's ruggedness. This upholstery provides a touch of softness to the otherwise imposing structure, ensuring that comfort isn't sacrificed for the sake of style. A standout feature of this Brutalist chair is the cleverly integrated wooden side table. Practical and unpretentious, it epitomizes the functionalist ethos of the movement, making it an ideal spot for your books or drinks. This chair is more than a seating option—it's a statement. Ideal for collectors, designers, and aficionados of the Brutalist aesthetic, it promises to be a focal point in any contemporary or vintage-inspired interior. Don't miss the chance to incorporate this piece of Dutch Brutalist heritage into your collection. Contact us to acquire this bold, historic, and artful chair...

Crafted from solid oak in the 1970s, these four barstools are a testament to the enduring quality of vintage furniture. Featuring a distinctive hammerhead back design, these barstools exude a sense of sophistication and charm. The gently curved top rail, reminiscent of a hammerhead shark's distinctive shape, adds a unique touch to their overall aesthetic. Each barstool has been meticulously crafted by skilled artisans, ensuring durability and longevity. The solid oak construction provides exceptional strength, making these barstools both reliable and robust for daily use. The rich, warm tones of the oak wood add a touch of natural beauty to any space, enhancing the overall ambiance of your home, bar, or kitchen. The ergonomic design of the barstools offers optimal comfort, allowing you and your guests to sit back and relax for extended periods. Whether you are creating a cozy corner in your home or setting up a stylish bar area, these vintage oak barstools...

These chairs have a unique and distinct design characteristic of the 1970s. They are crafted from oak,and are durable and robust build. The choice of bouclé fabric for reupholstery a...

Vintage Scandinavian Modern solid pine tripod stool, mid century, ca 1970s. General good vintage condition. A organic sculptural design, perfect match for the modern interior.

Two Exquisite French Mid-Century Modern Craftsman slipper chairs / stools or benches in hardwood. Each seat is carved from a single block of wood in the spirit of the French master,...

Introducing the Exquisite Brutalist Spanish Sculptural midcentury Tripod Chair from 1950 Looking to add a touch of unique sophistication to your interi...

This one-of-a-kind sculptural beeswax chair with sides is designed by Rooms Studio in collaboration with Shotiko Aptsiauri and was produced in Tbilisi, Georgia. The molded, beeswax sculpture, which can be interpreted as a stool, seat, side table or art object, is cylindrical in shape with two rectangular blocks at the top, representing a backrest or arms for the seat. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Heavy Rustic Oak Brutalist Bar Stool. In original condition, with visible wear and nice patina. Foot rest is 12.5" above floor. Weight is approx 30 lbs. Wear is consistent with its a...

A wonderfully sculptural teak wood stool. The seats subtle wood carved detailing gives it the impression that is has curled ends. The contrast of the curved detailing with the stools...