La Cross Display and Inventory Cabinet

A Belgian mid-19th century, red painted store display cabinet. A large and imposing antique Canadian pine display cabinet vitrine, woodcarving in...

Rare, The flag cabinet high chest, brass drawers, silver cast brass sculpted feet, design by the italian artist designer Ugo La Pietra in a collaboration with the manufacture Banci F...

This cabinet is made of green lacquered wood with gilt bronze and chinese life sceenes. The inside part is made of eglomised mirrors. This is a French work, circa 1940.

A metal and wooden cabinet from 1900s France. This high-standing cabinet boasts a warm color palette, featuring black metal legs, a rich umber outer...

Multi-drawer cabinet Overall dimensions: 27" x 41" x 39" high Drawer size: 10" x 23 1/2" x 5" high.

This elegant and wood, metal, and copper cabinet adorned with blackened copper low-relief motifs is created with expert construction by the design duo Rooms Studio from Tbilisi, Georgia. Each door of the handmade black metal cabinet features a striking hand-carved relief showcasing traditional Georgian and Soviet iconography with a beautiful patina, making the blackened metallic and copper cabinet an exquisite piece for any home. The interior behind the unique doors of each of the 9 compartments is finished in a cheerful salmon color, in contrast to the dark exterior. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are handcrafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...