Art craft furniture from the 20s in blackened oak attributed to Josef hoffmann

Rare Italian bar furniture from the 60s attributed to Vittorio Dassi. Structure of the buffet in solid and veneered wood with superb art marquetry work across the entire front repres...

1950s dining table attributed to Francisque Chaleyssin. An extension available.

Imposing 1930s art nouveau buffet in the style of Gustave Serrurier Bovy. The sideboard is made up of four elements (which can be dismantled if required for shipping): the two large ...

Nice desk lamp from the 40's attributed to André Groult. Base of the lamp in gilt bronze and stingray in the centre, monogram with the initials "A.G" on the...

Large 1930s art deco wardrobe in the style of Maurice Dufrène. This armoire has two hinged side doors opening onto a series of shelves and a central door with a large mirror opening...

Imposing modernist desk of the 50s in the taste of the work of Jean Michel Frank. Structure in solid oak and veneer, ceruse work on the whole desk. It is composed of three lateral dr...

A good quality Arts and Crafts oak bookcase/cupboard attributed to Lambs of Manchester.

Rare signed piece of Wiener Werkstatte furniture in beech with Macassar Ebony inlay. The "Wierner Werkstatte of America" insignia dates thi...

An attractive Arts & Crafts oak motto style bureau bookcase in golden quarter-sawn oak firmly attributed to Liberty & Co. of London. Featuring a moulded carved cornice with inscription ‘J.S. & L.E.S. TO V.R.C. JUNE 7TH 1911’ above a leaded green bullion glass door and open shelves, the bureau fall-front opening to reveal various pigeon holes and a quarter-sawn oak writing surface, with a drawer and pairs of cupboard doors below and three further drawers to the side. With Liberty design shaped hammered copper handles and brass locks to the bureau and drawers. In good solid condition and very well made, this would have been a very special commission as large bureau...

Rare bookcase attributed to Josef Frank. Produced in Sweden.  

Bruce Talbert (attributed), an oak wall hanging bookcase, the door inset with a print of Adam and Eve after Albrecht Durer.  

Amazing bookcase Art Deco Style: French We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Louis Süe and André Mare Louis Süe (14 July 1875 – 7 August 1968) was a French painter, architect, designer and decorator. He and André Mare co-founded the Compagnie des arts français, which produced Art Deco furniture and interior decorations for wealthy customers. He also designed buildings and interiors, including the interiors of two passenger liners. Marie-Louis Süe was born on 14 July 1875 in Bordeaux. He was the grand nephew of the writer Eugène Sue.His father was a wine merchant. After graduating from secondary school he entered the Collège Sainte-Barbe in Paris to prepare for the École Polytechnique. However, in 1893 he left Sainte-Barbe and entered the École des Beaux-Arts where he studied painting in the studio of Victor Laloux (1850–1937). During this period he also explored architectural design, and was awarded medals for his work. He gained his diploma in 1901. Süe made friends at the Beaux-Arts with the painters Pierre Bonnard, Roger de La Fresnaye, André Derain and André Dunoyer de Segonzac. In 1902 the Salon des Indépendants and the Salon d'Automne showed his work. Süe's work always combined an understanding and respect for traditional forms with a willingness to explore the new. n 1919 Süe and André Mare founded the Compagnie des arts français (French Arts Company) and in 1921 published their first designs of furniture, wallpaper, tapestries, silverware and ceramics. The company employed many artists and craftsmen to meet the needs of their sophisticated and wealthy clientele for interior decoration. The Metropolitan Museum acquired examples of their furniture as early as 1923. Their Art Deco works, typically with flower designs, were both elegant and practical. Süe and Mare decorated interiors such as the Polish Embassy in Paris and the home of Jean Patou.[2] In their joint work Architectures (1921) Sue and Mare asserted that Art Nouveau was based on a synthesis of fine and decorative arts. Their commercial designs often had simplified forms with rich materials. In 1922 Süe designed the industrial town of Lens-Méricourt for the French Northern Railway company.[1] In 1922 the Compagnie des arts français obtained financial support from Gaston Monteux, owner of the Raoul shoe firm.Süe and Mare worked together again for the 1925 International Exposition of Modern Industrial and Decorative Arts in Paris, where they built a contemporary art museum and the Fountain pavilion on the Esplanade des Invalides. They showed a luxurious room in the grand salon with furniture, carpet, wallpaper and decorations in new forms linked to traditional designs.They also collaborated that year on the interior decoration of the SS Île de France...