19th Century Italian Inlaid Cabinet

Impressive French carved oak Renaissance-revival bookcase with finely-carve ‘hunt’ motifs to the lower doors below carved drawers, the top with a pair of glass doors...

Introducing a captivating 19th Century Victorian Burl Walnut Credenza. Crafted with meticulous attention to detail, this antique piece showcases the timeless beauty of burl walnut wo...

Very large French solid mahogany Empire style bookcase with three upper glazed arched doors and lower solid mahogany paneled doors, the case acce...

A grandly-scaled late 19th century French carved walnut Louis XVI style vitrine, the case with finely hand-carved swags, ribbons and floral details. Two doors retain their original s...

A smaller-scale English mid-Victorian bookcase in exotic wood with Gothic arch profile doors. Adjustable upper shelves and single shelf in cabinet base. C. 1850.

Victorian inlaid + ebonized cabinet with gilt mounts.

19th Century French Renaissance Confiturier ~ cabinet displays an abundance of artful splendor in a relatively diminutive package! Rendered from old-growth indigenous oak, it feature...

A very good quality 19th century French Boulle serpentine fronted credenza, having shaped glazed doors to either end with shelves within. The central door with classical scrolling fo...

19th century mahogany chiffonier cabinet, the moulded top with pierced brass gallery of rectangular form raised over two lined brass g...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Fine marquetry inlay and graceful proportions mark this superior pair of cabinets. Narrow width makes for easy placement. Simply the finest quality and workmanship.

A magnificent rectangular black 2-door cabinet in Napoleon III style. Large and small details are gilt, bringing antique and luxurious looks. Brass medallions are centrally mounted on each door and also adorn the upper facade of the cabinet. The inside of the cabinet is divided into three horizontal shelves. At the bottom of the cabinet, there is a figure of a woman's mask, decorated with floral motifs, notably acanthus leaves and it is completed on the side with a rich ornamentation of gilded bronzes caryatides. The borders running along the cabinet are all gilt and engraved with beautiful patterns. On the two cabinet doors, there are two big figures encased in an oval border, representing Apollo, the god of music, and Hermes, the messenger of the gods. Both are the son of Zeus, and they are also frequently present in mythological tales about the other. When Hermes was just a toddler, he once left his cradle to steal the cattle of his half-brother Apollo. Apollo soon discovered that his flock was missing and began to search the surrounding area. Of course, Apollo was the god of prophecy, so he soon found out about the thief and furiously went to Mount Cyllene to find Hermes in his cave. He grabbed the infant and took him to Mount Olympus, to be judged by their master Zeus, the king of the gods. In front of Zeus, Hermes initially denied everything, but in the end, he had to confess. Zeus found the story quite amusing, so he did not punish Hermes, but only required him to return the flock. Hermes regretted what he had done and offered Apollo his lyre as a gift. The lyre was a musical instrument that Hermes had created all by himself from the shell of a turtle. To repay Hermes for his kindness, Apollo returned the gesture by giving Hermes a golden staff...