French Neoclassical Revival Style Faux Tortoise Decorative Crafts Cabinets - S/2

This is a lovely pair of Italian inlaid and banded satinwood demilune cabinets attributed to Decorative Crafts. They are in very good condition with each having a single interior she...

This is a set of regency style carved fruitwood faux bamboo style cabinets. They are able to be lit, and the glass shelves are adjustable. Each ca...

This is a show stopper! It is an early 20th century Italian neo-classical style faux marble painted demilune cabinet. The coloration is wonder...

This is an Italian neoclassical style inlaid satinwood console table by Decorative Crafts. The drawers are lined in fabric and have dovetail construction. The console has tapered leg...

This is a fabulous pair of Regency style Italian carved wood and hand painted monkey in palm tree sconces by Decorative Crafts. They are in working order.

This is an exceptional polychrome French style cabinet from the collection of the design team Hendrix Allardyce. It has a lovely hand painted finish ...

Antique Neoclassical Revival Raised Cabinet ~ Dry Bar will add an Old World yet charming rustic enhancement to any room. Designed as a dry bar, its drop down front reveals a cabinet...

A stylish pair of Hollywood Regency style faux tortoise two door cabinets featuring one pullout drawer and shelf with brass hardware.

This extremely rare 19th century neoclassical revival Irish pine cabinet is a beautiful way to store your things. Two cupboard doors on top concealing two shelves, two drawers in cen...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

19th century French walnut neoclassical petit file cabinet is truly an unusual find! Appearing to be, at first glance, a large nightstand, it is in fact much larger at typical buffet...

19th century French Henri II neoclassical walnut confiturier, cabinet is a stellar example of the petite buffet with one door affectionately called the confiturier because of its original design being intended to store confit jars in the kitchen. At some point it became obvious that a very useful miniature buffet like this would be ideal for other rooms, and the genre blossomed. This example, rendered from sumptuous French walnut, features neoclassical architecture including turned columns carved with fletching on the face fitted with Doric capitals on each cornerpost, flanking the stylized pyramidal heraldic crest on display in full relief at the center of the cabinet door. Fletching also appears on the drawer facade above, with the entire affair graced with fine molded detail. Ideal as a bathroom vanity cabinet...