James Bearden Capsule Cabinet, Cathedral Series, 2013

Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...

Contemporary New York artist Patrick Carrara's black ink on Mylar drawings were created in 2013 - 2015. This is his latest series Appearance, which he started te...

Contemporary New York artist Elena Lyakir's Diptych, Destiny and Fate, were photographed in 2013 and are part of her Land and Sea Series. This is a meditation on the essence of seein...

Contemporary artist Jennifer Printz "Beset" and "Mourning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass glazing. It'...

Contemporary American ceramic artist Joanna Poag's Encompassed No. 7 tabletop sculpture is part of a series. It's hand built clay fired to cone 6 with clear glaze. Encompassed is a b...

Contemporary American sculptor Wendy Hendelman's cast bronze Torso sculpture on a black marble base. Hendelman’s work reflects her love of the primitive and the ancient. The small sc...

James Bearden, an American artist and sculptor, is recognized for his abstract composition, rough hewn textures and architectural bearing, developing his own visual language of hand ...

"Segment Cabinet (square)” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with a birch top. By American artist James Bearden. The square cabinet, with its dramatic composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four long legs; it has an asymmetrically set hinged front door. Signed and with a Certificate of Authenticity from the artist. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

James Bearden credenza, 2014 from Cathedral series, signed, blackheat enameled steel, bronze and slate.

Measuring in at just over five feet wide, this Vanleigh credenza gives new definition to the word "multi-purpose". It can be a bar, credenza, server, buffet, etc. Beneath the lamina...

The Quasi-series is about the pursuit of orders that are rigorously modular but wild—almost out of order. Quasicrystals, a new phase of matter discovered in 1982, represent this kind...

A modern pear lacquered two-door cabinet with a rectangular top above two brass finished frame doors with glass reverse painted faux marbled panels, the interior with two drawers and...