Maw Cabinet by Karstudio

Cave cabinet by Karstudio Dimensions: W 138 x D 38 x H 43 cm Materials: FRP Available in black. Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause...

Cave cabinet by Karstudio. Dimensions: W 138 x D 38 x H 43 cm. Materials: FRP. Available in black. Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the ca...

Norma cabinet by Tim Vranken Materials: Yellow pine burned Dimensions: 130 x 36 x 213 cm Tim Vranken is a Belgian furniture designer who focuses on solid, handmade furniture. T...

Cave sideboard by Karstudio. Dimensions: W 40 x D 38 x H 50 cm. Materials: FRP. Available in black. Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause ...

Cave shelf table by Karstudio Dimensions: W 100 x D 38 x H 170 cm Materials: FRP Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause and effect in aest...

Cave sideboard by Karstudio Dimensions: W 40 x D 38 x H 50 cm Materials: FRP Available in black. Kar, is the root of Sanskrit Karma, meaning karmi...

Container structure in linden wood with two doors made of windowed elements gradually reducing in size. The surfaces of each individual element are finished by carving with a hand plane...

Stunning contemporary sculpture but also a functional cabinet by Paolo Lumini an Italian contemporary artist from Tuscany. Made in carved wood and bamboo.

The ‘Wood-Blend Cabinet’ is a large, functional art piece in the form of a round-edged cabinet that features ornamental detailing created using 3D modelling and printing software. ...

This captivating display cabinet, adorned with a male and female pair of pheasants, reflects the aesthetic charm of the 1960s. While details about the designer and manufacturer are u...

This maybe the most iconic form created by this under-appreciated artist. A tour de force executed in carved-stacked Walnut. Beautiful original surface.

Rare and unique brutalist bar cabinet decorated with hand carved bear. Koncz Vilmos (1932 – 2006). He started painting at the age of 30, using the following techniques: charcoal, pastel, oil. He has had solo exhibitions eight times in Budapest, and his works have been featured in seventeen group exhibitions worldwide. He was an experimental creator. Its more than 420 works include glass mosaics, terracotta, copper embossing and furniture carving. After his death, most of his oeuvre was “lost”. A decade and a half passed from painting to the first carvings. Middle Eastern and African culture had a major impact on his further artistic work. Traveled and created in Baghdad, Kuwait, Beirut and Tanzania. He became acquainted with the ancient folk art of the Makonde tribe, with carvings of ebony and ivory, which changed his creative career. When he made an authentic bracelet out of ivory, decorated with African motifs, the members of the tribe welcomed him among themselves. He became the tribe’s "Mister Vili." An exhibition of his painted paintings was held at the Kilimanjaro Hotel. He learned the machining of copper from the Arabs and the making of glass mosaics, and the tricks of jewelry making from the Hindus. He had forty large sculptures erected in various settlements of Hungary, mostly multi-field, made with a circular carving technique. Everything from ornaments on the table to the three-meter-high monument was found in his oeuvre. The Tiszakürt Arboretum also houses two wooden sculptures made of circular carvings: Tasso and the Tanzanian family tree. Donated works of his hometown: the 1956 headboard, the “Jászok” and “Kunok” (Old Hungarian Tribes), the “Flute”, the “Kolompolás” (Ringing the Bell) and the “Winged Altar”. In the 1980s, he also made carvings for the Budapest Zoo and Botanical Garden. His Ars Poetic was: “I do what I love, which drives from within, because I want to leave marks behind that I once existed and perhaps not uselessly” (2002). The term "Brutalist" originated from Le Corbusier’s Cité...