Narrow Pine Two Door Cabinet with Floral Painting and Green Marble Top

17th Century Spanish Pine cabinet with 2 drawers & open shelf above Cabinet Door, Pyrenees.

Louis XVI mahogany cabinet with marble top and brass gallery, France, circa 1800.

Early 19th Century English Mahogany Side Cabinet with Tamboor Door, Lift Top & Inlay

Light blue painted cabinet / armoire with 4 cabinet doors and azure blue painted interior, 19th century France. Upper cabinets fitted with shelves...

A Regency rosewood side cabinet with glass inset door within a larger hidden door, scagliola top and column uprights, and adjustable shelving. This piece originated in England during the first quarter of the 19th century. William Word Fine Antiques...

An exceptional French walnut Regence buffet with a thick grey oyster marble top, deep scallop shell and foliage carving on doors and apron ending in cabriole feet. The doors with ori...

A late 19th century floral marquetry two-door cabinet with Carrera marble top and gilt bronze mounts, French, circa 1880.

C. 20th Century French style marble top two door cabinet w/ single drawer brass mounting & marquetry.

A vintage Ming Dynasty style natural wood two-door cabinet from the mid-20th century, with floral décor and hidden drawers. This mid-century cabinet, crafted in the style of the Ming...

Two door metal cabinet with swirl detail teak doors and aded limestone top. Piece from our one of a kind collection, Le Monde.

This cabinet is made in walnut and maple veneering, Carrara marble top. Internal shelves is walnut veneer. As with all our furniture, this cabinet is made to order and is therefore ...

A very decorative Regency period ebonised, brass inlaid and ormolu-mounted cabinet, with mirrored doors and Calacatta viola marble top, in the manner of James Newton. English, c. 1815 Why we like it One of the most elegant designs from the early 19th century, inspired by the ancient Egyptian motifs. The brass ball-feet and ormolu mounted columns are rare and unusual features, and the beautifully oxidised mirror plates and antique marble tops add to their timeless elegance. Attribution Designed in the early 19th century ‘antique’ manner, popularised by Percier and Fontaine and relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. Ebonised in the Egyptian taste and with the stylised palm-flowered pillars, relating to those of tripod torcheres in Thomas Hope's Household Furniture and Interior Decoration, 1807, pl. 22. Identical columns and ball-feet are seen on a group of pier cabinets, including a pair, sold Sotheby’s London, 29 June 2005, Lot 125, which is traditionally associated with the output of the London firm of James Newton. He labelled a suite of very similar chiffoniers sold from the collection of Maureen, Marchioness of Dufferin and Ava, Christie's, London, 25 March 1999, lots 320-321. While stylistically these cabinets relate to the pieces ascribed to James Newton, their constructional features, such as the use of cedar linings for the secretaire fittings, is relevant to the practice of another highly esteemed London firm of the Regency period, John McLean and Son. James Newton (1773-1821) Upholder and cabinet maker, trained in the celebrated workshops of Lawrence Fell and William Turton - business rivals of the great Thomas Chippendale - and, in the tradition of ambitious men, married the daughter of the latter, which in part accounts for his meteoric rise to prominence; executing commissions, inter alia, for Matthew Boulton at Soho House, the Earl of Jersey at Osterley, and Sir Gilbert Heathcote; familiar with the fashions of the Regency period, he is listed as a subscriber to Thomas Sheraton’s 1803 ‘Cabinet Dictionary’; a pair of chairs with close concordances to a design of Thomas Hope’s Household Furniture’ (plate 22), and bearing his label may be viewed at the Royal Pavilion Brighton...