Pair of 4 Drawer Commode in Ash by Alain Richard, Charron Groupe 4, 1954

Coffee table by Alain Richard, Charron Groupe 4, 1954. Alain Richard did not design the cut-out of this table from scratch: an armchair can easily be fitted into it and its occupant...

Alain Richard (1926 - 2017) is a famous French designer who quickly established himself as one of the most brilliant representatives of his generation. After graduating top of his class from the École Nationale des Arts Décoratifs in 1949, he joined his former teacher René Gabriel's studio, before moving to the Netherlands on Gabriel's death. The young designer then collaborated with Hein Salomonson's firm, before setting up his own design office in Paris in 1952 with his wife Jacqueline Iribe, a designer of furnishing textiles. Rigorously functional, his first pieces of furniture were first published by Lavrilleux and Charron, then by Meubles TV, where Alain Richard worked and designed several pieces with André Monpoix. Together, they designed the Banquette 195 (1954). A success among others, it was awarded the Prix de la Triennale de Milan in 1954 and, ten years later, the Prix René Gabriel. Alain Richard's talented career continued in the 70s, with frequent commissions from the Mobilier national, the design of numerous museums, and projects for major hotel groups, winter sports resorts and BNP, which entrusted him with the furnishings of numerous prestigious branches around the world. At the end of his career, he devoted himself to teaching. the table 200 was published by meuble TV, one of the major publishers of the time. It measures 180 cm when the extension is in use, and 130 cm when the extension is folded away to the side. It can be used as a dining table for 8 people...

Cabinet in ash and mahogany by Joseph André Motte, group 4, Charon, 1954 Joseph-André Motte (1925 - 2013) was an interior architect and one of the great figures of French design in the 1950s and 1960s. At the École des arts appliqués à l'industrie (now ENSAAMA), he studied under René Gabriel, Louis Sognot and Albert Guénot, graduating top of his class in 1948. He then obtained his first collaboration with the Bon Marché art studio. One of his first models, the Tripodes armchair...

René Gabriel (1899 - 1950) is a precursor of French industrial design. He was one of the first to create, as early as the 1930s, economical mass-produced furniture combining aestheti...

Pair of Simple Bridge armchairs in skai by Jean Nouvel, 1991 When it comes to design, what we might expect from sculptors is actually more likely to come from architects. For what...

Two-drawer shelf by Marcel Gascoin, ARHEC, 1947 Two-drawer Shelf created by Marcel Gascoin edited by ARHEC in 1947. This shelf is made from Oak wood. Presented in the UAM pavilion during the 1937 International Exhibition, the wall shelves on racks were used extensively by Marcel Gascoin. Playing on their freedom of arrangement, he invented modular storage walls where single, double or drawer shelves could be placed, as well as glass elements or a wall desk. The combination on racks allows for height adjustment; it gives the possibility (before consumer loans were commonplace) to equip themselves with successive purchases. (extract from "Marcel Gascoin, design utile" 2011) Marcel Gascoin was born in Le Havre, in the Perrey district, on 27 August 1907. Born into a family of sailors - his father was the head of a workshop in a practical school, in the carpentry section - he followed in his father's footsteps and became a carpenter and cabinetmaker by attending the applied arts section at the Ecole des Beaux-Arts in Le Havre, and then the Ecole nationale supérieure des Arts décoratifs in Paris. There he met Henri Sauvage, who encouraged him to focus on modern furniture. From then on, as he put it, he would adapt the container to the content. Recommended by Robert Mallet-Stevens in 1930, he participated in the exhibition of the Union des artistes modernes. Four years later, he participated in a competition to design a boat cabin, which led to his meeting with Jean Prouvé, with whom he would work. From 1938 onwards, he took part in the Salon des Arts Ménagers and created a line of storage units with a particular design, which the war was to bring to a standstill in France, but which found an echo in Scandinavian countries. In the aftermath of the war, his links with Raoul Dautry and Claudius Petit, the ministers in charge of reconstruction, enabled him to play an important role in the production of space-saving furniture, adapting techniques tried and tested in boat cabins to save even more space and in social production. In 1947, he became curator of the International Exhibition of Urbanism and Housing. He coordinated the development of model flats (Sotteville-Lès-Rouen) and met the architect, Marcel Lods...

Pair of commodes or nightstands in figured ashwood with factory applied patina. Black glass tops with bull nose edging and Campaign-style brass drawer pulls.

Stylish pair of midcentury dressers. Sturdy construction consisting of finished walnut. Sleek round white drawer pulls. Each piece has four spacious...

Pair of French mid century (1940s) maple two-drawer bedside commodes with parquetry pattern veneer, bronze drawer pulls and trim supported on fluted tapered legs. (Priced as pair).  

Excellent pair of three-drawer commodes by United Furniture of Lexington N.C, circa 1930s. Bleached mahogany wood with a dark shading stain finish. Two drawers are side grip, without...

This African rosewood sideboard is a very pretty modernist piece of furniture in the purest Alain Richard style. Tall, shallow format and backlit when the right door is opened, it al...

1960s Italian pair brutalist design four drawer commodes. Long, thin, narrow slits of wood create the fronts of the commodes. Sides and tops are smooth. When closed, drawers appear t...