Belle Époque Commodes and Chests of Drawers

An Italian Cherry Neoclacial-style Commode with three long drawers, the drawers and posts decorated with black geometrical designs, with knop-form pulls and shield escutcheons, with ...

Although not as well known as some of his contemporaries Schmidt produced some outstanding French Louis XV and XVI designs. Provenance : Palm Beach Ritz Carlton

A fine and rare pair of late 19th century French mahogany and gilt bronze mounted mounted by F. Linke. The locks signed . Original Breche D' Alep marble tops. ( Pictured in the 19th ...

This is a monumental piece made by the capability of Italian Master artisans of the 21st century. We can find in this important chest of drawers the antique technics of realization about processing wood, bronze and painting. The bronze details are lost wax casting and then gilded 24K...

Italian Belle Époque antique Wooden chest of drawers, 1900s Chest of drawers with rectangular base in dark wood. The cabinet has 16 dra...

Antique cabinet from around 1900. Excellent condition Dimensions: H 132 cm / W 150 cm / D. 68 cm.

A fantastic pair of early 20th century gilt bronze mounted Louis XV style inlaid marquetry and parquetry commodes. Each finely made commode with a shaped marble top over three short and two long dresser drawers...

A stunning and extremely high quality French 19th century Louis XV st. Belle Époque Kingwood, leather, ormolu and Brèche d'Alep marble commode. The six drawer chest is raised by eleg...

A fine and large Italian early 20th century gildwood carved and gilt-brass mounted server buffet with marble top. The rectangular fruit wood body with four front doors ornately carve...

Italian early 20th century wooden chest of drawers with marble top, 1900s Chest of drawers with wooden structure and marble top, with key and brass decorations on the front. Very...

A wonderful English commode from the latest Victorian period with serpentine shape. The commode is made from solid walnut and decorated with walnut veneers. Shaped marble top over th...

A late 19th century Louis XVI style gilt bronze-mounted commode Signed Haentges Fres A marble top, above a bronze frieze, with one long drawer, and two deep long drawers. Signa...

A fantastic late 19th century gilt bronze-mounted Louis XVI style parquetry commode By Zwiener Jansen Successeur A marble top above a frieze set with three drawers with pierced laurel decoration, over three garland-hung parquetry cupboard doors each with shelves, the sides similarly decorated, on toupie feet. The bronze mounts stamped to the reverse ‘’ZJ’ for Zwiener / Jansen Successeur. The Lockplates stamped MON THEAU/THIEFFINE SUCCR/SERRURIER/PARIS. After the very famous 18th century model by Martin Carlin...

A fine companion pair of early 20th century gilt bronze mounted Louis XV style chest of drawers by François Linke Surmounted by a Brèche d’Alep marble top above a pair of short dr...

An exceptional late 19th century gilt bronze-mounted Louis XVI style commode. By Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration, over three garland-hung cupboard doors each with shelves, the sides similarly decorated, on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze-mounted furniture in the 19th century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres Porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

A very fine late 19th century Louis XVI style gilt bronze-mounted commode. By Paul Sormani Beautiful marble top, above a bronze frieze, with one long drawer above two deep long...

19th century French mahogany period Belle époque commode. Fine ormolu mounts and Sèvres Porcelain plaques.

A Fantastic Quality Mid 19th Century Gilt Bronze Mounted Louis XVI Style Mahogany Commode By Pretot A marble top above a frieze applied with scrolling-vine mounts and fronted by tw...

A very fine French Belle Époque 19th-20th century Louis XV style superb quality ormolu-mounted kingwood bombé commode with a Brêche d'Alep marble top, attributed to François Linke an...

An exceptional late 19th century Louis XV style gilt bronze mounted lacquer commode By Henry Dasson. With a shaped marble top above two drawers veneered san traverse. Signed...

A Fantastic Late 19th/Early 20th Century Louis XV Style Gilt Bronze Mounted Commode By François Linke François Linke – Index no. 599 Brèche d’ Alep marble top above one long bronze mounted drawer, the center two drawers bronze mounted with floral wreath and bird, the base mounted with a tambourine and flowing curtains. Signed F. Linke to the right-hand chute, locked stamped Ct. Linke and the number 599. Pictured on Page 493 and Daybook Entry on Page 477 in “François Linke 1855-1946 The Belle Epoque of French Furniture” By Christopher Payne. Designed in 1900, this model commode was conceived en suite with a dressing table, index number 600, and a double bed, number 601. Although clearly started in 1899, a note in the Blue Daybook shows that the ciseleur enriched the chasing on the bronzes much later, in September 1902, and with a fleur de pêcher marble top costing 110 francs. Whereas two of the matching beds and dressing tables were made, Linke made five versions of this commode between 1899 and 1910, with one example made for the compagnie nationale de Buenos-Aires in 1908. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...